A jump cut is a cut in film editing in which two sequential shots of the same subject are taken from camera positions that vary only slightly. This type of edit causes the subject of the shots to appear to "jump" position in a discontinuous way. For this reason, jump cuts are considered a violation of classical continuity editing, which aims to give the appearance of continuous time and space in the story-world by de-emphasizing editing. Jump cuts, in contrast, draw attention to the constructed nature of the film.
Continuity editing uses a guideline called the "30 degree rule" to avoid jump cuts. The 30 degree rule advises that for consecutive shots to appear "seamless," the camera position must vary at least 30 degrees from its previous position. Some schools would call for a change in framing as well (e.g., from a medium shot to a close up). Generally, if the camera position changes less than 30 degrees, the difference between the two shots will not be substantial enough, and the viewer will experience the edit as a jump in the position of the subject that is jarring, and draws attention to itself. Although jump cuts can be created through the editing together of two shots filmed non-continuously (spatial jump cuts), they can also be created by removing a middle section of one continuously-filmed shot (temporal jump cuts).
Jump cuts can add a sense of speed to the sequence of events.
Read more about Jump Cut: History, Intentional Uses, Confusion With Other Transitions
Famous quotes containing the words jump and/or cut:
“Oh is that
all? I tho’t it was something else. Oh
they jump and run too. I wish you had been
there, I was so interested to hear about it.”
—William Carlos Williams (1883–1963)
“The whole cut impressed me as if it were a cave with its stalactites laid open to the light.”
—Henry David Thoreau (1817–1862)