Jump-up (drum and Bass) - Typical Musical Style

Typical Musical Style

It is usually characterized by basslines that have a filter shaping LFO on them which gives the bass a ‘wobble’ sound accompanied by uptempo drum loops.

Most frequently in modern Jump-Up, an element of highly energetic ‘stabs’ are often heard. Jump-Up is closely related to the more popular 1996–1997 era of jungle-drum and bass, known for its 'warmth’ through beat and melody syncopation and simpler heavy basslines (as opposed to the lighter, more distorted basslines of the precise-sounding techier styles of Neurofunk & Techstep coming out around this time).

Examples include DJ Zinc's "Super Sharp Shooter" or his remix of the Fugees’ "Ready Or Not" (known at the time as "Fugees or Not"), which also samples Redman on the original version of his first collaboration with Method Man, "How High". Extensive use of hip hop samples was common in jump-up in the late 1990s.

Before 1997, Jump Up was not really established as a sub genre in Drum and Bass. Jump Up was made popular by Bristol's Full Cycle crew, with tracks such as "Warhead" by DJ Krust, and "Trouble" by Scorpio (Roni Size & Die).

Additionally, Jump Up is a clean beat not similar to the popular amen and Apache drum loops. Jump up is easy to distinguish from other jungle and D'n'B styles due to its simplicity, with 3-tier basslines (high, mid, low) that provide the thick and clean basslines so commonly associated with Jump Up, and Simple KickXXXSnareXXXXXKickXSnareXXX Pattern (sometimes referred to as a "step break"). Drum rolls are often long and composed mostly of kicks and often have some effect like flange thrown over them.

On a social level within the drum'n'bass community, it is also very popular in certain clubs and raves such as Fabric in London, Lakota in Bristol and Custard Factory in Birmingham.

Read more about this topic:  Jump-up (drum And Bass)

Famous quotes containing the words typical, musical and/or style:

    It is not however, adulthood itself, but parenthood that forms the glass shroud of memory. For there is an interesting quirk in the memory of women. At 30, women see their adolescence quite clearly. At 30 a woman’s adolescence remains a facet fitting into her current self.... At 40, however, memories of adolescence are blurred. Women of this age look much more to their earlier childhood for memories of themselves and of their mothers. This links up to her typical parenting phase.
    Terri Apter (20th century)

    I was with Hercules and Cadmus once,
    When in a wood of Crete they bayed the bear
    With hounds of Sparta: never did I hear
    Such gallant chiding; for besides the groves,
    The skies, the fountains, every region near
    Seemed all one mutual cry. I never heard
    So musical a discord, such sweet thunder.
    William Shakespeare (1564–1616)

    A style does not go out of style as long as it adapts itself to its period. When there is an incompatibility between the style and a certain state of mind, it is never the style that triumphs.
    Coco Chanel (1883–1971)