Works
- Czyhanie na Boga (Lurking for God, 1918)
- Sokrates tańczący (Dancing Socrates, 1920)
- Siódma jesień (The Seventh Autumn, 1921)
- Wierszy tom czwarty (1923)
- *Murzynek Bambo (1923,1924)
- Czary i czarty polskie (Sorcery and Deuces of Poland, 1924)
- Wypisy czarnoksięskie (The Reader of Sorcery, 1924)
- A to pan zna? (And do you know it?, 1925)
- Czarna msza (1925)
- Tysiąc dziwów prawdziwych (1925)
- Słowa we krwi (1926)
- Tajemnice amuletów i talizmanów (1926)
- Strofy o późnym lecie
- Rzecz czarnoleska (1929)
- Jeździec miedziany (1932)
- Biblia cygańska i inne wiersze (1932)
- Jarmark rymów (1934)
- Polski słownik pijacki i antologia bachiczna (1935)
- Treść gorejąca (1936)
- Bal w Operze (1936, published 1946)
- Kwiaty polskie (1940–1946, published 1949)
- Pegaz dęba, czyli panoptikum poetyckie (1950)
- Piórem i piórkiem (1951)
Read more about this topic: Julian Tuwim
Famous quotes containing the word works:
“That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
—Lydia M. Child (1802–1880)
“We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (1881–1962)
“The mind, in short, works on the data it receives very much as a sculptor works on his block of stone. In a sense the statue stood there from eternity. But there were a thousand different ones beside it, and the sculptor alone is to thank for having extricated this one from the rest.”
—William James (1842–1910)