Return To Science Fiction
Having moved to Oregon in the early 1970s, May began to get reacquainted with the world of fandom; in 1976, she attended Westercon 29 in Los Angeles, her first science-fiction convention in many years. She made an elaborate diamond-encrusted "space suit" for the convention's costume party, which started her thinking about what sort of character would wear such a suit. She soon began accumulating a folder of ideas for what would become the Galactic Milieu Series, and in 1978 she began writing what would become the Saga of Pliocene Exile. The first book in that series, The Many-Colored Land, was published in 1981 by Houghton Mifflin. In 1987, she continued the series with Intervention, finally followed in 1992 (with a change in publisher) by the Galactic Milieu Series: Jack the Bodiless, Diamond Mask and Magnificat.
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Famous quotes containing the words science fiction, return to, return, science and/or fiction:
“Science fiction writers foresee the inevitable, and although problems and catastrophes may be inevitable, solutions are not.”
—Isaac Asimov (1920–1992)
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1859–1924)
“If a man, notoriously and designedly, insults and affronts you, knock him down; but if he only injures you, your best revenge is to be extremely civil to him in your outward behaviour, though at the same time you counterwork him, and return him the compliment, perhaps with interest.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“We said that the history of mankind depicts man; in the same way one can maintain that the history of science is science itself.”
—Johann Wolfgang Von Goethe (1749–1832)
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)