Julian May - Return To Science Fiction

Return To Science Fiction

Having moved to Oregon in the early 1970s, May began to get reacquainted with the world of fandom; in 1976, she attended Westercon 29 in Los Angeles, her first science-fiction convention in many years. She made an elaborate diamond-encrusted "space suit" for the convention's costume party, which started her thinking about what sort of character would wear such a suit. She soon began accumulating a folder of ideas for what would become the Galactic Milieu Series, and in 1978 she began writing what would become the Saga of Pliocene Exile. The first book in that series, The Many-Colored Land, was published in 1981 by Houghton Mifflin. In 1987, she continued the series with Intervention, finally followed in 1992 (with a change in publisher) by the Galactic Milieu Series: Jack the Bodiless, Diamond Mask and Magnificat.

Read more about this topic:  Julian May

Famous quotes containing the words return to, return, science and/or fiction:

    To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air: the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.
    Eleonora Duse (1858–1924)

    The traveller who has gone to Italy to study the tactile values of Giotto, or the corruption of the Papacy, may return remembering nothing but the blue sky and the men and women who live under it.
    —E.M. (Edward Morgan)

    What happened at Hiroshima was not only that a scientific breakthrough ... had occurred and that a great part of the population of a city had been burned to death, but that the problem of the relation of the triumphs of modern science to the human purposes of man had been explicitly defined.
    Archibald MacLeish (1892–1982)

    It seems that the fiction writer has a revolting attachment to the poor, for even when he writes about the rich, he is more concerned with what they lack than with what they have.
    Flannery O’Connor (1925–1964)