Julian May - Return To Science Fiction

Return To Science Fiction

Having moved to Oregon in the early 1970s, May began to get reacquainted with the world of fandom; in 1976, she attended Westercon 29 in Los Angeles, her first science-fiction convention in many years. She made an elaborate diamond-encrusted "space suit" for the convention's costume party, which started her thinking about what sort of character would wear such a suit. She soon began accumulating a folder of ideas for what would become the Galactic Milieu Series, and in 1978 she began writing what would become the Saga of Pliocene Exile. The first book in that series, The Many-Colored Land, was published in 1981 by Houghton Mifflin. In 1987, she continued the series with Intervention, finally followed in 1992 (with a change in publisher) by the Galactic Milieu Series: Jack the Bodiless, Diamond Mask and Magnificat.

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Famous quotes containing the words return to, return, science and/or fiction:

    ... one cannot be happy in exile or in oblivion. One cannot always be a stranger. I want to return to my homeland, make all my loved ones happy. I see no further than this.
    Albert Camus (1913–1960)

    Were not ten made clean? But the other nine, where are they? Was none of them found to return and give praise to God except this foreigner?
    Bible: New Testament, Luke 17:17,18.

    Jesus, after healing ten lepers.

    The negative cautions of science are never popular. If the experimentalist would not commit himself, the social philosopher, the preacher, and the pedagogue tried the harder to give a short- cut answer.
    Margaret Mead (1901–1978)

    The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.
    Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)