Return To Science Fiction
Having moved to Oregon in the early 1970s, May began to get reacquainted with the world of fandom; in 1976, she attended Westercon 29 in Los Angeles, her first science-fiction convention in many years. She made an elaborate diamond-encrusted "space suit" for the convention's costume party, which started her thinking about what sort of character would wear such a suit. She soon began accumulating a folder of ideas for what would become the Galactic Milieu Series, and in 1978 she began writing what would become the Saga of Pliocene Exile. The first book in that series, The Many-Colored Land, was published in 1981 by Houghton Mifflin. In 1987, she continued the series with Intervention, finally followed in 1992 (with a change in publisher) by the Galactic Milieu Series: Jack the Bodiless, Diamond Mask and Magnificat.
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Famous quotes containing the words science fiction, return to, return, science and/or fiction:
“I have been a soreheaded occupant of a file drawer labeled “Science Fiction” ... and I would like out, particularly since so many serious critics regularly mistake the drawer for a urinal.”
—Kurt Vonnegut, Jr. (b. 1922)
“Return to her? and fifty men dismissed?
No, rather I abjure all roofs, and choose
To wage against the enmity o’ th’ air,
To be a comrade with the wolf and owl—
Necessity’s sharp pinch.”
—William Shakespeare (1564–1616)
“The return to solid values is always hard.... Distress, panic, and hard times have marked our pathway in returning to solid values.”
—James A. Garfield (1831–1881)
“The puritanical potentialities of science have never been forecast. If it evolves a body of organized rites, and is established as a religion, hierarchically organized, things more than anything else will be done in the name of “decency.” The coarse fumes of tobacco and liquors, the consequent tainting of the breath and staining of white fingers and teeth, which is so offensive to many women, will be the first things attended to.”
—Wyndham Lewis (1882–1957)
“The beginning of human knowledge is through the senses, and the fiction writer begins where human perception begins. He appeals through the senses, and you cannot appeal to the senses with abstractions.”
—Flannery O’Connor (1925–1964)