Return To Science Fiction
Having moved to Oregon in the early 1970s, May began to get reacquainted with the world of fandom; in 1976, she attended Westercon 29 in Los Angeles, her first science-fiction convention in many years. She made an elaborate diamond-encrusted "space suit" for the convention's costume party, which started her thinking about what sort of character would wear such a suit. She soon began accumulating a folder of ideas for what would become the Galactic Milieu Series, and in 1978 she began writing what would become the Saga of Pliocene Exile. The first book in that series, The Many-Colored Land, was published in 1981 by Houghton Mifflin. In 1987, she continued the series with Intervention, finally followed in 1992 (with a change in publisher) by the Galactic Milieu Series: Jack the Bodiless, Diamond Mask and Magnificat.
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Famous quotes containing the words return to, return, science and/or fiction:
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air: the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1858–1924)
“Live within your means, never be in debt, and by husbanding your money you can always lay it out well. But when you get in debt you become a slave. Therefore I say to you never involve yourself in debt, and become no man’s surety. If your friend is in distress, aid him if you have the means to spare. If he fails to be able to return it, it is only so much lost.”
—Andrew Jackson (1767–1845)
“We would be a lot safer if the Government would take its money out of science and put it into astrology and the reading of palms.... Only in superstition is there hope. If you want to become a friend of civilization, then become an enemy of the truth and a fanatic for harmless balderdash.”
—Kurt Vonnegut, Jr. (b. 1922)
“If one doubts whether Grecian valor and patriotism are not a fiction of the poets, he may go to Athens and see still upon the walls of the temple of Minerva the circular marks made by the shields taken from the enemy in the Persian war, which were suspended there. We have not far to seek for living and unquestionable evidence. The very dust takes shape and confirms some story which we had read.”
—Henry David Thoreau (1817–1862)