Julian Lennon - Film

Film

Lennon's first-ever tour in the spring of 1985 was documented as part of the film Stand By Me: A Portrait Of Julian Lennon — a film profile started by Sam Peckinpah, but completed by Martin Lewis after Peckinpah's death. Lennon has appeared in several other films including The Rolling Stones Rock and Roll Circus (1996, but shot in 1968), Cannes Man (1996), Imagine: John Lennon (1988), Chuck Berry: Hail! Hail! Rock 'n' Roll (1987) and a cameo in Leaving Las Vegas (1995) as a bartender. Julian provided the voice for the title role in the animated film David Copperfield. He was also the voice of the main character Toby the Teapot in the animated special The Real Story of I'm a Little Teapot (1990).

Julian Lennon is also the producer of the documentary called WhaleDreamers about an aboriginal tribe in Australia and its special relationship to whales. It also touches on many environmental issues. This film has received many awards and was shown at the 2007 Cannes Film Festival.

Read more about this topic:  Julian Lennon

Famous quotes containing the word film:

    All the old supports going, gone, this man reaches out a hand to steady himself on a ledge of rough brick that is warm in the sun: his hand feeds him messages of solidity, but his mind messages of destruction, for this breathing substance, made of earth, will be a dance of atoms, he knows it, his intelligence tells him so: there will soon be war, he is in the middle of war, where he stands will be a waste, mounds of rubble, and this solid earthy substance will be a film of dust on ruins.
    Doris Lessing (b. 1919)

    Is America a land of God where saints abide for ever? Where golden fields spread fair and broad, where flows the crystal river? Certainly not flush with saints, and a good thing, too, for the saints sent buzzing into man’s ken now are but poor- mouthed ecclesiastical film stars and cliché-shouting publicity agents.
    Their little knowledge bringing them nearer to their ignorance,
    Ignorance bringing them nearer to death,
    But nearness to death no nearer to God.
    Sean O’Casey (1884–1964)

    The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.
    Raymond Chandler (1888–1959)