Career
In 1988, while still working as an accountant, Sweeney enrolled in classes with the improvisational comedy troupe The Groundlings, eventually being selected to be part of the troupe's Sunday Company. It was at The Groundlings that she began to develop personae she would later bring to the stage, film, and television. They include Mea Culpa, the title character of Mea's Big Apology (co-written by then-husband Stephen Hibbert), which won the Best Written Play Award from L.A. Weekly in 1988 and has been developed by Sweeney (in collaboration with Jim Emerson) into a screenplay; and the androgynous Pat, whose impossible-to-determine gender was the basis for Sweeney's popular It's Pat! skits on Saturday Night Live, and later for her feature film of the same name, which never received a national release but has since gathered a small cult following.
In 1992 she also worked with the rock band Ugly Kid Joe, performing in the music video for their hit "Neighbor" and contributing introductory audio to two tracks, "Goddamn Devil" and "Everything About You." The latter was on the soundtrack to the Lorne Michaels movie Wayne's World.
In 1994, she had a small role as "Raquel" in the movie Pulp Fiction.
Sweeney serves on the Advisory Board of the Secular Coalition for America.
In February 2010 she was named to the Freedom From Religion Foundation's Honorary Board of distinguished achievers.
Read more about this topic: Julia Sweeney
Famous quotes containing the word career:
“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
—Thomas Henry Huxley (1825–95)
“Each of the professions means a prejudice. The necessity for a career forces every one to take sides. We live in the age of the overworked, and the under-educated; the age in which people are so industrious that they become absolutely stupid.”
—Oscar Wilde (1854–1900)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)