Plot
The young Lillian and the young Julia, daughter of a wealthy family being brought up by her grandparents in the U.S., enjoy a childhood together and an extremely close relationship in late adolescence. Later, while medical-student/physician Julia (Vanessa Redgrave) attends Oxford and the University of Vienna and studies with such luminaries as Sigmund Freud, Lillian (Jane Fonda) suffers through revisions of her play with her mentor and sometime lover, famed author Dashiell Hammett (Jason Robards) at a beachhouse.
After becoming a celebrated playwright, Lillian is invited to a writers' conference in Russia. Julia, having taken on the battle against Nazism, enlists Lillian en route to smuggle money through Nazi Germany which will assist in the anti-Nazi cause. It is a dangerous mission, especially for a Jewish intellectual on her way to Russia.
During a brief meeting with Julia on this trip, Lillian learns that her friend has a child named Lily, living with a baker in Alsace. Shortly after her return to the United States, Lillian is informed of Julia's murder. The details of her death are shrouded in secrecy. Lillian unsuccessfully looks for Julia's daughter in Alsace and also discovers that Julia's family wants nothing to do with the child, if she exists. They even pretend not to remember Lillian, clearly wanting to excise the embarrassment of Julia from their lives.
Read more about this topic: Julia (1977 film)
Famous quotes containing the word plot:
“There comes a time in every mans education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (18031882)
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles Id read, I started relying on the expert advice of other mothersespecially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)