Style and Work
Chicago trained herself in "macho arts," taking classes in auto body work, boat building, and pyrotechnics. Through auto body work she learned spray painting techniques and the skill to fuse color and surface to any type of media, which would become a signature of her later work. The skills learned through boat building would be used in her sculpture work, and pyrotechnics would be used to create fireworks for performance pieces. These skills allowed Chicago to bring fiberglass and metal into her sculpture, and eventually she would become an apprentice under Mim Silinsky to learn the art of porcelain painting, which would be used to create works in The Dinner Party. Chicago also added the skill of stained glass to her artistic tool belt, which she used for The Holocaust Project. Photography became more present in Chicago's work as her relationship with photographer Donald Woodman developed. Since 2003, Chicago has been working with glass.
Collaboration is a major aspect of Chicago's installation works. The Dinner Party, The Birth Project and The Holocaust Project were all completed as a collaborative process with Chicago and hundreds of volunteer participants. Volunteer artisans skills vary, often connected to "stereotypical" women's arts such as textile arts.
Read more about this topic: Judy Chicago
Famous quotes containing the words style and, style and/or work:
“I am so tired of taking to others
translating my life for the deaf, the blind,
the “I really want to know what your life is like without giving up any of my privileges
to live it” white women
the “I want to live my white life with Third World women’s style and keep my skin
class privileges” dykes”
—Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)
“The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.”
—Edgar Allan Poe (1809–1849)
“The last thing one discovers in composing a work is what to put first.”
—Blaise Pascal (1623–1662)