Biography
Judith Wright was born in Armidale, New South Wales the eldest child of Phillip Wright and his first wife Ethel, but spent most of her formative years in Brisbane and Sydney. Wright was of Cornish ancestry. After the early death of her mother, she lived with her aunt and then boarded at New England Girls' School after her father's remarriage in 1929. After graduating, Wright studied philosophy, English, Psychology and history at the University of Sydney. At the beginning of World War II she returned to her father's station to help during the shortage of labour caused by the war.
Wright's first book of poetry, The Moving Image, was published in 1946 while she was working at the University of Queensland as a research officer. At this time she also worked with Clem Christesen on the literary magazine Meanjin. In 1950 she moved to Mount Tamborine, Queensland, with the novelist and abstract philosopher Jack McKinney. Their daughter Meredith was born in the same year. They married in 1962, although Jack was to live only until 1966. For the last three decades of her life, she lived in the New South Wales town of Braidwood.
With David Fleay, Kathleen McArthur and Brian Clouston, Judith Wright was a founding member and, from 1964 to 1976, President, of the Wildlife Preservation Society of Queensland. She was the second Australian to receive the Queen's Gold Medal for Poetry, in 1992.
In "In the Garden", Fiona Capp revealed the story of the 25-year secret love affair between two of Australia's most well-known and well-loved public figures, "the famous poet-come-activist" Judith Wright and "the distinguished yet down-to-earth statesman" H. C. "Nugget" Coombs. She had moved to Braidwood in order to be closer to Coombs, who was based in Canberra.
She started to lose her hearing in her mid-20s, and became completely deaf by 1992.
Read more about this topic: Judith Wright
Famous quotes containing the word biography:
“Just how difficult it is to write biography can be reckoned by anybody who sits down and considers just how many people know the real truth about his or her love affairs.”
—Rebecca West [Cicily Isabel Fairfield] (1892–1983)
“A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.”
—André Maurois (1885–1967)
“In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence of our classical dictionary.... We moderns, on the other hand, collect only the raw materials of biography and history, “memoirs to serve for a history,” which is but materials to serve for a mythology.”
—Henry David Thoreau (1817–1862)