Solo Releases
- 1963 Judy Durham & Frank Traynor's Jazz Preachers
- 1964 Frank Traynor's Jazz Preachers & Judy Durham – Trombone Frankie
- 1967 "The Olive Tree" / "The Non-Performing Lion Quickstep" – UK #33
- 1967 "Again and Again"/"Memories"
- 1968 For Christmas With Love
- 1970 Gift of Song LP
- 1971 Climb Every Mountain LP
- 1973 JD & The Hottest Band in Town Vol. 1 LP
- 1974 JD & The Hottest Band in Town Vol. 2 LP
- 1980 The Hot Jazz Duo LP
- 1992 "Australia Land of Today"
- 1994 Let Me Find Love – AUS #8
- 1996 Mona Lisas – UK #46
- 1997 Always There
- 2000 Hold on To Your Dream
- 2002 JD and the Melbourne Welsh Male Choir
- 2003 Diamond Night
- 2009 Judith Durham Up Close & Personal – Volume 1
- 2009 Judith Durham’s Advance Australia Fair ... A Lyric For Contemporary Australia
- 2011 Epiphany
- 2011 Colours of My Life – AUS #44
- 2012 The Australian Cities Suite – AUS #81 (debut)
With the exception of the Jazz EP and the 1971 album Climb Every Mountain, all of Durham's solo records have been re-released on CD.
Durham has also contributed to various compilations, including the CD single Yil Lull, Slowly Gently for the Motor Neurone Disease fund-raiser, One Man's Journey, and most recently an ethnic version of The Carnival is Over with Melbourne group Inka Marka for the Melbourne Immigration Museum's compilation CD This is the Place For a Song. In 2007 Durham also made a cameo appearance on English Garden, a bonus track featured only on the digital download version of the new Silverchair album Young Modern.
Read more about this topic: Judith Durham
Famous quotes containing the words solo and/or releases:
“All mothers need instruction, nurturing, and an understanding mentor after the birth of a baby, but in this age of fast foods, fast tracks, and fast lanes, it doesn’t always happen. While we live in a society that provides recognition for just about every life event—from baptisms to bar mitzvahs, from wedding vows to funeral rites—the entry into parenting seems to be a solo flight, with nothing and no one to mark formally the new mom’s entry into motherhood.”
—Sally Placksin (20th century)
“We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.”
—Bertolt Brecht (1898–1956)