Judgement of Paris - Sources of The Episode

Sources of The Episode

As with many mythological tales, details vary depending on the source. The brief allusion to the Judgment in the Iliad (24.25–30) shows that the episode initiating all the subsequent action was already familiar to its audience; a fuller version was told in the Cypria, a lost work of the Epic Cycle, of which only fragments (and a reliable summary) remain. The later writers Ovid (Heroides 16.71ff, 149–152 and 5.35f), Lucian (Dialogues of the Gods 20), The Bibliotheca (Epitome E.3.2) and Hyginus (Fabulae 92), retell the story with skeptical, ironic or popularizing agendas. But it appeared wordlessly on the ivory and gold votive chest of the 7th-century BC tyrant Cypselus at Olympia, which was described by Pausanias as showing:

Hermes bringing to Paris the son of Priam the goddesses of whose beauty he is to judge, the inscription on them being: 'Here is Hermes, who is showing to Paris, that he may arbitrate concerning their beauty, Hera, Athena and Aphrodite. (Description of Greece, LXV.9.5).

The subject was favoured by painters of Red-figure pottery as early as the sixth century BC, and remained popular in Greek and Roman art, before enjoying a significant revival, as an opportunity to show three female nudes, in the Renaissance.

Read more about this topic:  Judgement Of Paris

Famous quotes containing the words sources of, sources and/or episode:

    The American grips himself, at the very sources of his consciousness, in a grip of care: and then, to so much of the rest of life, is indifferent. Whereas, the European hasn’t got so much care in him, so he cares much more for life and living.
    —D.H. (David Herbert)

    The American grips himself, at the very sources of his consciousness, in a grip of care: and then, to so much of the rest of life, is indifferent. Whereas, the European hasn’t got so much care in him, so he cares much more for life and living.
    —D.H. (David Herbert)

    Youth is the period in which a man can be hopeless. The end of every episode is the end of the world. But the power of hoping through everything, the knowledge that the soul survives its adventures, that great inspiration comes to the middle-aged.
    Gilbert Keith Chesterton (1874–1936)