Singles Performance Timeline
Tournament | 2000 | 2001 | 2002 | 2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | W–L | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Grand Slam Tournaments | |||||||||||||||
Australian Open | A | 3R | 2R | 2R | 2R | 3R | 4R | 3R | 1R | A | 1R | 1R | 3R | 14–11 | |
French Open | 2R | A | 1R | 3R | QF | 2R | 1R | 2R | 2R | 1R | 2R | QF | 1R | 15–12 | |
Wimbledon | 1R | A | 1R | 2R | 2R | A | 1R | 2R | A | A | 1R | 2R | 1R | 4–9 | |
US Open | 1R | A | 4R | 3R | 1R | 1R | 1R | QF | A | 2R | 2R | 3R | A | 13–10 | |
Win–Loss | 1–3 | 2–1 | 4–4 | 6–4 | 6–4 | 3–3 | 3–4 | 8–4 | 1–2 | 1–2 | 2–4 | 8–4 | 2–3 | 46–42 | |
ATP Masters Series | |||||||||||||||
Indian Wells Masters | A | 1R | 3R | 2R | QF | 3R | 2R | QF | 3R | 1R | 1R | 3R | 2R | 12–12 | |
Miami Masters | A | 1R | QF | 3R | 3R | 3R | 4R | QF | 2R | 1R | 2R | 2R | 2R | 13–12 | |
Monte Carlo Masters | 3R | A | 3R | QF | 3R | 1R | 2R | 2R | 1R | 2R | A | 1R | 1R | 12–11 | |
Rome Masters | 1R | A | 2R | 2R | 1R | 2R | 1R | QF | 1R | 1R | 1R | 3R | 1R | 8–12 | |
Madrid Masters | A | A | 1R | QF | 2R | 2R | 2R | 2R | A | 1R | 2R | 1R | 1R | 6–10 | |
Canada Masters | 1R | A | 1R | 2R | 3R | 1R | 1R | 1R | A | A | 2R | 1R | A | 4–9 | |
Cincinnati Masters | 1R | A | 1R | 3R | 3R | 3R | 3R | 2R | A | A | A | 1R | A | 9–8 | |
Paris Masters | A | A | 1R | 1R | 1R | A | 2R | 2R | A | A | 1R | A | A | 1–6 | |
Hamburg Masters | A | A | 3R | 1R | 1R | QF | 1R | 2R | 2R | Not Masters Series | 7–7 | ||||
Win–Loss | 2–4 | 0–2 | 11–9 | 12–9 | 10–9 | 9–8 | 7–9 | 12–9 | 2–5 | 1–5 | 3–6 | 3–7 | 0–5 | 72–87 | |
Career Statistics | |||||||||||||||
Titles–Finals | 1–1 | 0–1 | 1–3 | 0–0 | 1–1 | 0–0 | 0–2 | 1–1 | 0–0 | 0–0 | 2–2 | 0–1 | 0–0 | 6–12 | |
Year-End Ranking | 63 | 70 | 23 | 38 | 26 | 39 | 33 | 20 | 140 | 73 | 38 | 29 | 176 |
Read more about this topic: Juan Ignacio Chela
Famous quotes containing the word performance:
“When a book, any sort of book, reaches a certain intensity of artistic performance it becomes literature. That intensity may be a matter of style, situation, character, emotional tone, or idea, or half a dozen other things. It may also be a perfection of control over the movement of a story similar to the control a great pitcher has over the ball.”
—Raymond Chandler (18881959)
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