Gallery of Rosary in Marian Art
Since the 17th century, the Rosary began to appear as an element in key pieces of Roman Catholic Marian art, often in art that depicts the Virgin Mary. Key examples include Murrillo's Madonna with the Rosary at the Museo del Prado in Spain, and the statute of Madonna with Rosary at the church of San Nazaro Maggiore in Milan. Several Roman Catholic Marian churches around the world have also been named after the rosary, e.g. Our Lady of the Rosary Basilica, in Rosario Argentina, the Rosary Basilica in Lourdes and Nossa Senhora do Rosário in Porto Alegre, Brazil.
-
Madonna and rosary by Nicola Porta
-
Madonna with rosary, by Guido Reni, 1596
-
Madonna offering Saint Dominic rosary by August Palme, 1860
-
Madonna with the Rosary by Murillo, 1650
-
Madonna of the Rosary statute, Naples, Italy
-
Rosary Madonna, Porto Alegre, Brazil
-
Madonna with Rosary, Italy
-
Madonna with Rosary by Josef Mersa, Italy
-
Crucifixion and rosary
-
Saint Anthony with a rosary
Read more about this topic: Joyful Mysteries
Famous quotes containing the words gallery of, gallery, rosary and/or art:
“I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.”
—Herman Melville (1819–1891)
“I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.”
—Lewis H. Lapham (b. 1935)
“Dust rises from the main road and old Délira is stooping in front of her hut. She doesn’t look up, she softly shakes her head, her headkerchief all askew, letting out a strand of grey hair powdered, it appears, with the same dust pouring through her fingers like a rosary of misery. She repeats, “we will all die”, and she calls on the good Lord.”
—Jacques Roumain (1907–1945)
“The principal rule of art is to please and to move. All the other rules were created to achieve this first one.”
—Jean Racine (1639–1699)