Joy Electric - Robot Rock and CHRISTIANsongs

Robot Rock and CHRISTIANsongs

Riding this building wave of popularity, Joy Electric began commanding greater respect both abroad and at home. This attention at Tooth & Nail was especially critical, leading to a series of albums that were designed to, and indeed succeeded in, garnering some degree of commercial success. Music videos were made and became more widely distributed. The music moved out of cult circles and picked up new fans in rapid numbers.

Robot Rock was the first album to capitalize on this. The album moved away from the world of "bedroom production" and into professional studio hands. The vocals came across as polished and well-groomed. Having practiced on his analog synthesizers for years, Martin commanded better control of his synthesizers' sounds. To showcase these growing skills, the songs were generally more sparse. The entire album harked back, more than any other release, to his groundbreaking work in Melody.

Following his pattern, Martin released an EP as well, titled The Land of Misfits, containing Monosynth, three remixes of songs from Robot Rock and one new song. It was generally considered a disappointment by fans, containing only one new song along with reworkings of songs from Robot Rock.

Eventually another EP materialized, the Children of the Lord maxi single. While still including covers on the EP, Martin this time brought some greater variety to the release. Two songs covered radically different influences: Punk rockers MxPx and seventies singer Keith Green. The last song was a Cloud2Ground remix of a song from the upcoming album.

In 1999, CHRISTIANsongs was released. Concerning the title, Martin explained his frustration over Christian music groups attempting to downplay their religion in hopes for greater commercial success. Having grown up a Christian, Martin had rarely allowed his faith to intrude heavily upon his music. He nevertheless disapproved of silly "we're Christians but we're not a Christian band" statements. In contrast, and to set the record straight for any fans, Martin's new album title left no doubt concerning the matter.

CHRISTIANsongs contained some of Joy Electric's most overt references to Christianity, exhorting believers to remain strong ("Lift Up Your Hearts"), singing musical prayers of religious dedication ("Make My Life a Prayer", which was a cover of a song written by Melody Green), and proclaiming general obedience to God ("True Harmony"). But the album contained deep lyrical divides. The religious songs were overwhelmingly religious. The other half of the album was, more or less, the usual Joy Electric fare.

CHRISTIANsongs also demonstrated Martin's ability to move beyond bubbly-happy songs that critics condemned for being too shallow. The album showcased a wide range of feelings, spanning to familiar exuberant territory all the way into new, darker directions.