Reception
At the time of release, Journey to the Center of the Earth was a financial success, grossing $5,000,000 at the box office (well over its $3.44 million budget). The film was nominated for three Academy Awards for Best Art Direction-Set Decoration (Lyle R. Wheeler, Franz Bachelin, Herman A. Blumenthal, Walter M. Scott, Joseph Kish), Best Effects, Special Effects and Best Sound (Carlton W. Faulkner). It won a second place Golden Laurel award for Top Action Drama in 1960.
The film currently holds an average 7.0/10 rating on IMDB. On Rotten Tomatoes, 83% of critics gave the film a positive review, with the general consensus being that Journey to the Center of the Earth is "a silly but fun movie with everything you'd want from a sci-fi blockbuster -- heroic characters, menacing villains, monsters, big sets and special effects."
New York Times reviewer Bosley Crowther said, in his contemporary review of Journey to the Center of the Earth), that the film is "... really not very striking make-believe, when all is said and done. The earth's interior is somewhat on the order of an elaborate amusement-park tunnel of love. And the attitudes of the people, toward each other and toward another curious man who happens to be exploring down there at the same time, are conventional and just a bit dull." Ian Nathan, writing for Empire, gave the film four stars, stating that "it has dated a fair bit, but it’s a film that takes its far-fetchedness seriously, and delivers a thrilling adventure untrammelled by cheese, melodrama or ludicrous tribes of extras, shabbily dressed bird-beings or lizard men", ultimately concluding that the film is "still captivating despite the obviously dated effects".
Read more about this topic: Journey To The Center Of The Earth (1959 film)
Famous quotes containing the word reception:
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
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