Television Credits
| Series | Episode number | Title | Credit | Original air date |
|---|---|---|---|---|
| Buffy the Vampire Slayer | 1.01 | "Welcome to the Hellmouth" | Writer | March 10, 1997 |
| 1.02 | "The Harvest" | Writer | March 10, 1997 | |
| 1.10 | "Nightmares" | Story (teleplay by David Greenwalt) | May 12, 1997 | |
| 1.11 | "Out of Mind, Out of Sight" | Story (teleplay by Ashley Gable and Thomas A. Swyden) | May 19, 1997 | |
| 1.12 | "Prophecy Girl" | Writer/director | June 2, 1997 | |
| 2.01 | "When She Was Bad" | Writer/director | September 15, 1997 | |
| 2.03 | "School Hard" | Story (with David Greenwalt, teleplay by David Greenwalt) | September 29, 1997 | |
| 2.07 | "Lie to Me" | Writer/director | November 3, 1997 | |
| 2.11 | "Ted" | Co-writer (with David Greenwalt) | December 8, 1997 | |
| 2.14 | "Innocence" | Writer/director | January 20, 1998 | |
| 2.21 | "Becoming (Part 1)" | Writer/director | May 12, 1998 | |
| 2.22 | "Becoming (Part 2)" | Writer/director | May 19, 1998 | |
| 3.01 | "Anne" | Writer/director | September 29, 1998 | |
| 3.10 | "Amends" | Writer/director | December 15, 1998 | |
| 3.16 | "Doppelgangland" | Writer/director | February 23, 1999 | |
| 3.21 | "Graduation Day (Part 1)" | Writer/director | May 18, 1999 | |
| 3.22 | "Graduation Day (Part 2)" | Writer/director | July 13, 1999 | |
| 4.01 | "The Freshman" | Writer/director | October 5, 1999 | |
| 4.10 | "Hush" | Writer/director | December 14, 1999 | |
| 4.16 | "Who Are You" | Writer/director | February 29, 2000 | |
| 4.22 | "Restless" | Writer/director | May 23, 2000 | |
| 5.06 | "Family" | Writer/director | November 7, 2000 | |
| 5.16 | "The Body" | Writer/director | February 27, 2001 | |
| 5.22 | "The Gift" | Writer/director | May 22, 2001 | |
| 6.07 | "Once More, with Feeling" | Writer/director/composer/lyricist | November 6, 2001 | |
| 7.01 | "Lessons" | Writer | September 24, 2002 | |
| 7.07 | "Conversations with Dead People" | Co-writer, uncredited (with Jane Espenson and Drew Goddard; Marti Noxon, uncredited) | November 12, 2002 | |
| 7.22 | "Chosen" | Writer/director | May 20, 2003 | |
| Angel | 1.01 | "City Of" | Co-writer (with David Greenwalt)/director | October 5, 1999 |
| 1.04 | "I Fall to Pieces" | Story (with David Greenwalt, teleplay by David Greenwalt) | October 26, 1999 | |
| 1.19 | "Sanctuary" | Co-writer (with Tim Minear) | May 2, 2000 | |
| 2.01 | "Judgment" | Story (with David Greenwalt, teleplay by David Greenwalt) | September 26, 2000 | |
| 2.04 | "Untouched" | Director | October 17, 2000 | |
| 2.13 | "Happy Anniversary" | Story (with David Greenwalt, teleplay by David Greenwalt) | February 6, 2001 | |
| 3.13 | "Waiting in the Wings" | Writer/director | February 4, 2002 | |
| 4.06 | "Spin the Bottle" | Writer/director | November 10, 2002 | |
| 5.01 | "Conviction" | Writer/director | October 1, 2003 | |
| 5.14 | "Smile Time" | Story (with Ben Edlund, teleplay by Ben Edlund) | February 18, 2004 | |
| 5.15 | "A Hole in the World" | Writer/director | February 25, 2004 | |
| 5.22 | "Not Fade Away" | Co-writer (with Jeffrey Bell) | May 19, 2004 | |
| Firefly | 1.01 | "Serenity" | Writer/director | December 20, 2002 |
| 1.02 | "The Train Job" | Co-writer (with Tim Minear)/director | September 20, 2002 | |
| 1.06 | "Our Mrs. Reynolds" | Writer | October 4, 2002 | |
| 1.12 | "The Message" | Co-writer (with Tim Minear) | July 15, 2003 | |
| 1.14 | "Objects in Space" | Writer/director | December 13, 2002 | |
| Dollhouse | 1.00 | "Echo" | Writer/director | |
| 1.01 | "Ghost" | Writer/director | February 13, 2009 | |
| 1.06 | "Man on the Street" | Writer | March 20, 2009 | |
| 1.13 | "Epitaph One" | Story (teleplay by Jed Whedon and Maurissa Tancharoen) | ||
| 2.01 | "Vows" | Writer/director | September 25, 2009 |
Read more about this topic: Joss Whedon
Famous quotes containing the word television:
“Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
—Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)