Josh Groban - Film and Television Appearances

Film and Television Appearances

Groban has appeared on The Oprah Winfrey Show six times, as well as on The Ellen DeGeneres Show, Larry King Live, The Rosie O'Donnell Show, Tim & Eric Awesome Show, Great Job!, The Tonight Show with Jay Leno, 20/20, Today, Macy's Thanksgiving Day Parade, Super Bowl XXXVIII, and the Walt Disney World Christmas Day Parade, the Rockefeller Tree Lighting. He has also been a guest co-host on Live with Regis and Kelly many times from 2006 to 2012.

Groban played Malcolm Wyatt, a preacher's son, on Ally McBeal, episodes "The Wedding" and "Nine One One" (2001).

Groban has made two guest appearances on the series Glee as himself.

Groban appeared on BBC Two's hit British music quiz Never Mind the Buzzcocks. His first appearance was as a guest on Omid Djalili's team. On December 21, 2010, he returned to Never Mind the Buzzcocks, this time as guest host/quiz master and ending the show duetting with Michael Ball in a version of "I Dreamed a Dream" from Les Miserables.

Groban appeared in The Office as Andy Bernard's brother in the episodes "Garden Party" (2011) and "The Boat" (2012).

On Tuesday, May 24, 2011, Groban appeared as a mystery guest star on the season 12 finale of Dancing With the Stars to surprise Petra Nemcova by singing "You Raise Me Up" to her dance. When she saw that it was he who was actually singing the song and not one of the usual performers, she momentarily was too stunned to continue dancing.

In the comedy Crazy, Stupid, Love., a film starring Steve Carell and Ryan Gosling, released on July 29, 2011, Groban played a character named Richard, a caddish and nerdy attorney.

In 2012, he appeared in episode 5 of series 12 of the revived British comedy panel show Room 101. For the second time, Groban appeared in The Office, in the role of Andy Bernard's brother, in the episode "The Boat".

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Famous quotes containing the words film, television and/or appearances:

    The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.
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    They [parents] can help the children work out schedules for homework, play, and television that minimize the conflicts involved in what to do first. They can offer moral support and encouragement to persist, to try again, to struggle for understanding and mastery. And they can share a child’s pleasure in mastery and accomplishment. But they must not do the job for the children.
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