Joseph Ruttenberg - Career

Career

Born into a Jewish family in St. Petersburg, Russia, Joseph Ruttenberg was ten years old when his family emigrated to the United States, settling in Boston, Massachusetts. As a young man he went to work at the Boston Globe newspaper as a photojournalist but left in 1915 to accept a job with the Fox Film Corporation in New York City to train as a cinematographer. Two years later he was behind the camera for his first silent film--The Painted Madonna (1917)--in what would be a remarkably successful career.

In the late 1920s Ruttenberg went to work for Paramount Pictures in New York. His first talkie assignment was The Struggle (1931), D.W. Griffith's final film. Then in 1934 Ruttenberg signed on with MGM, moving to Hollywood where he was invited to join the American Society of Cinematographers.

Joseph Ruttenberg retired from MGM in 1968 and died in Los Angeles in 1983.


Read more about this topic:  Joseph Ruttenberg

Famous quotes containing the word career:

    The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.
    Anna Quindlen (b. 1952)

    From a hasty glance through the various tests I figure it out that I would be classified in Group B, indicating “Low Average Ability,” reserved usually for those just learning to speak the English Language and preparing for a career of holding a spike while another man hits it.
    Robert Benchley (1889–1945)

    What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.
    Arlie Hochschild (20th century)