Joseph Papp - Outdoor Performances at The Delacorte Theatre

Outdoor Performances At The Delacorte Theatre

Papp's Delacorte Theatre brought some of the most exciting actors and actresses in America, some celebrated, some not, to outdoor Shakespeare and to New York audiences for free. Among the memorable performances (including some from before Papp had the Delacorte for his Shakespeare) were George C. Scott's Obie-award winning Richard III in 1958; Colleen Dewhurst's Kate, Lady Macbeth, Cleopatra (opposite George C. Scott's Mark Antony), and Gertrude; the Prince Hamlet of Stacy Keach opposite Dewhurst's Gertrude with James Earl Jones' King Claudius, Barnard Hughes's Polonius and Sam Waterston's Laertes; Sam Waterston's Hamlet (opposite the Gertrude of Ruby Dee) with the Laertes of John Lithgow and Andrea Marcovicci's Ophelia; the Benedick and Beatrice of Sam Waterston and Kathleen Widdoes in Much Ado About Nothing with Barnard Hughes's Keystone Kops version of Dogberry; the early work of Meryl Streep as Isabella in Measure for Measure; Mary Beth Hurt as Randall Duk Kim's daughter in Pericles; James Earl Jones as King Lear (1973) with Rosalind Cash and Ellen Holly as his wicked daughters; Raul Julia as Edmund in Jones' 1973 King Lear, as Osric to Keach's Hamlet, and as Proteus (in a musical adaptation of Two Gentlemen of Verona which transferred to a Broadway run). Julia also played Othello with Frances Conroy as his Desdemona and Richard Dreyfuss as Iago. And, in 1968, one year before his breakthrough in The Subject was Roses, Martin Sheen played Romeo.

The New York Shakespeare Festival's Delacorte was not exclusively for Shakespeare. Papp would sometimes vary the summertime fare. In the summer of 1977 Gloria Foster was Clytemnestra in the towering Greek tragedy Agamemnon followed by Raul Julia as Macheath in Richard Foreman's production of Bertolt Brecht/Kurt Weill's The Threepenny Opera, which later transferred to Lincoln Center. Papp was also a Gilbert and Sullivan lover, and in 1980, to commemorate the centenary of The Pirates of Penzance, he mounted a new staging of the opera at The Delacorte Theatre in Central Park. The show was a sensation, and Papp transferred it to the Broadway stage, where it ran for over 800 performances. It won Tony Awards for Best Revival, Best Director (Wilford Leach), and Best Actor (Kevin Kline). Linda Ronstadt was nominated for Best Actress in a Musical.

Papp's aesthetic included an egalitarian, political vision. He was a pioneer in a commitment to non-traditional casting, using a variety of ethnicities and colors of actors in his new plays and Shakespeare productions. Likewise, partly out of his relationship with his gay son Tony, Papp aligned himself with gay and lesbian concerns in at least two specific instances. He fought anti-obscenity provisions that Congress briefly imposed on the National Endowment for the Arts during the Reagan Presidency, and he chose to produce The Normal Heart, which passionately decried institutionalized "homophobia" as well as Mayor Koch's response to the AIDS crisis.

A complete listing of Festival productions is available in Joe Papp: An American Life by Helen Epstein.