Work
Kosuth's art generally strives to explore the nature of art rather than producing what is traditionally called "art". Kosuth's works are frequently self-referential. Kosuth remarked in 1969:
- "The 'value' of particular artists after Duchamp can be weighed according to how much they questioned the nature of art."
Kosuth's works frequently reference Sigmund Freud's psycho-analysis and Ludwig Wittgenstein's philosophy of language.
His first conceptual work Leaning Glass, consisting of an object, a photograph of it and dictionary definitions of the words denoting it. In 1966 Kosuth also embarked upon a series of works entitled Art as Idea as Idea, involving texts, through which he probed the condition of art. The works in this series took the form of photostat reproductions of dictionary definitions of words such as “water,” “meaning,” and “idea.” Accompanying these photographic images are certificates of documentation and ownership (not for display) indicating that the works can be made and remade for exhibition purposes.
One of his most famous works is One and Three Chairs, a visual expression of Plato's concept of The Forms. The piece features a physical chair, a photograph of that chair, and the text of a dictionary definition of the word "chair". The photograph is a representation of the actual chair situated on the floor, in the foreground of the work. The definition, posted on the same wall as the photograph, delineates in words the concept of what a chair is, in its various incarnations. In this and other, similar works, Five Words in Blue Neon and Glass One and Three, Kosuth forwards tautological statements, where the works literally are what they say they are. A collaboration with independent filmmaker Marion Cajori, Sept. 11, 1972 was a Minimalist portrait of sunlight in Cajori's studio.
In the early 1970s, concerned with his "ethnocentricity as a white, male artist," Kosuth enrolled in the New School to study anthropology. He visted the Trobriand Islands in the South Pacific, made famous in studies by the anthropologist Bronislaw Malinowski, and the Huallaga Indians in the Peruvian Amazon.
Hung on walls painted his signature dark gray, Kosuth's later, large photomontages trace a kind of artistic and intellectual autobiography. Each consists of a photograph of one of the artist's own older works or installations, overlaid in top and bottom corners by two passages of philosophical prose quoted from intellectuals identified only by initials (they include Jacques Derrida, Martin Buber and Julia Kristeva).
Read more about this topic: Joseph Kosuth
Famous quotes containing the word work:
“While I do not think it was so intended I have always been of the opinion that this turned out to be much the best for me. I had no national experience. What I have ever been able to do has been the result of first learning how to do it. I am not gifted with intuition. I need not only hard work but experience to be ready to solve problems. The Presidents who have gone to Washington without first having held some national office have been at great disadvantage.”
—Calvin Coolidge (1872–1933)
“In my dreams is a country where the State is the Church and the Church the people: three in one and one in three. It is a commonwealth in which work is play and play is life: three in one and one in three. It is a temple in which the priest is the worshiper and the worshiper the worshipped: three in one and one in three. It is a godhead in which all life is human and all humanity divine: three in one and one in three.”
—George Bernard Shaw (1856–1950)
“But the doctrine of the Farm is merely this, that every man ought to stand in primary relations to the work of the world, ought to do it himself, and not to suffer the accident of his having a purse in his pocket, or his having been bred to some dishonorable and injurious craft, to sever him from those duties.”
—Ralph Waldo Emerson (1803–1882)