Instruments
Throughout his career, Bolet bucked the system by endorsing and performing on Baldwin and C. Bechstein pianos worldwide. When other pianists aligned with the Steinway piano, he chose a different approach and a unique broadly varied tone through non-standard instruments. Bolet's best Decca/London recordings were made using the Baldwin SD-10 concert grand. Some of the most celebrated, near the end of his career, were made with Charles Dutoit and the Montreal Symphony Orchestra. Most pianophiles agree that the most perfect piano sound and tone (through masterful piano technical preparation) was the last Decca/London solo piano recording of Claude Debussy.
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Famous quotes containing the word instruments:
“Whilst Marx turned the Hegelian dialectic outwards, making it an instrument with which he could interpret the facts of history and so arrive at an objective science which insists on the translation of theory into action, Kierkegaard, on the other hand, turned the same instruments inwards, for the examination of his own soul or psychology, arriving at a subjective philosophy which involved him in the deepest pessimism and despair of action.”
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