Jorge Amado - Works

Works

  • The Country of Carnival (O País do Carnaval, 1931)
  • Cacau (1933)
  • Sweat (Suor, 1934)
  • Jubiabá (1935)
  • Sea of Death (Mar Morto, 1936)
  • Captains of the Sands (Capitães da Areia, 1937)
  • The Knight of Hope (Vida de Luis Carlos Prestes or O Cavaleiro da Esperança, 1942)
  • The Violent Land (Terras do Sem Fim, 1943)
  • The Golden Harvest (São Jorge dos Ilhéus, 1944)
  • Red Field (Seara Vermelha, 1946)
  • The Bowels of Liberty trilogy (Os Subterrâneos da Liberdade, 1954)
  • Gabriela, Clove and Cinnamon (Gabriela, Cravo e Canela, 1958)
  • The Two Deaths of Quincas Wateryell (A Morte e a Morte de Quincas Berro Dágua, 1959)
  • Home Is the Sailor (Os Velhos Marinheiros ou o Capitão de Longo Curso, 1961)
  • Ogum's Compadre (O compadre de Ogum, 1964)
  • Shepherds of the Night (Os Pastores da Noite, 1964)
  • Dona Flor and Her Two Husbands (Dona Flor e Seus Dois Maridos, 1966)
  • Tent of Miracles (Tenda dos Milagres, 1969)
  • Tereza Batista: Home from the Wars (Teresa Batista Cansada da Guerra, 1972)
  • Tieta (Tieta do Agreste, 1977)
  • Pen, Sword, Camisole (Farda Fardão Camisola de Dormir, 1979)
  • Showdown (Tocaia Grande, 1984)
  • The War of the Saints (O Sumiço da Santa, 1988)
  • Coasting (Navegação de Cabotagem, 1992)
  • The Discovery of America by the Turks (A Descoberta da América pelos Turcos, 1994)

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Famous quotes containing the word works:

    “Piety practised in solitude, like the flower that blooms in the desert, may give its fragrance to the winds of heaven, and delight those unbodied spirits that survey the works of God and the actions of men; but it bestows no assistance upon earthly beings, and however free from taints of impurity, yet wants the sacred splendour of beneficence.”
    —Samuel Johnson (1709–1784)

    “The family that perseveres in good works will surely have an abundance of blessings.”
    —Chinese proverb.

    “A complete woman is probably not a very admirable creature. She is manipulative, uses other people to get her own way, and works within whatever system she is in.”
    —Anita Brookner (b. 1938)