Jonathan Clements - Books

Books

Clements is a prolific author, whose many non-fiction publications, on subjects ranging from the history of the Vikings to the life of Chairman Mao Tse-tung, serve as research for his fiction. His books have been translated into a dozen languages, including Spanish, Portuguese, Dutch, and Korean. His major works include:

  • The Moon in the Pines (2000, reprinted in paperback as Zen Haiku, 2007)
  • The Anime Encyclopedia: A Guide to Japanese Animation Since 1917 (1st ed. 2001, 2nd ed. 2006, with Helen McCarthy)
  • The Dorama Encyclopedia: A Guide to Japanese TV Drama Since 1953 (2003, with Motoko Tamamuro)
  • The Pirate King: Coxinga and the Fall of the Ming Dynasty (2004, publ. in paperback as Coxinga, 2005)
  • Confucius: A Biography (2004)
  • A Brief History of the Vikings (2005)
  • The First Emperor of China (2006)
  • Mao (2006)
  • Wu (2007)
  • Marco Polo (2007)
  • Beijing: The Biography of a City (2008)
  • Makers of the Modern World: Prince Saionji (2008)
  • Makers of the Modern World: Wellington Koo (2008)
  • Schoolgirl Milky Crisis: Adventures in the Anime and Manga Trade (2009)
  • Mannerheim: President, Soldier, Spy (2009)
  • A Brief History of the Samurai (2010)
  • Admiral Togo: Nelson of the East (2010)
  • A Brief History of Khubilai Khan (2010)
  • Sun Tzu's Art of War: A New Translation (2012)

In 2011, he became a contributing editor to The Encyclopedia of Science Fiction 3rd ed, with special responsibility for Chinese and Japanese entries.

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Famous quotes containing the word books:

    “The books one reads in childhood, and perhaps most of all the bad and good bad books, create in one’s mind a sort of false map of the world, a series of fabulous countries into which one can retreat at odd moments throughout the rest of life, and which in some cases can survive a visit to the real countries which they are supposed to represent.”
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    “Translate a book a dozen times from one language to another, and what becomes of its style? Most books would be worn out and disappear in this ordeal. The pen which wrote it is soon destroyed, but the poem survives.”
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    “Writers ought to be regarded as wrongdoers who deserve to be acquitted or pardoned only in the rarest cases: that would be a way to keep books from getting out of hand.”
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