Johns Hopkins University Press
The Johns Hopkins University Press is the publishing division of the Johns Hopkins University. It was founded in 1878 and holds the distinction of being the oldest continuously running university press in the United States. To date the Press has published more than 6,000 titles and currently publishes 65 scholarly periodicals and over 200 new books each year. Since 1993, the Johns Hopkins University Press has run Project MUSE, an online collection of over 250 full–text, peer–reviewed journals in the humanities and social sciences. The Press also houses the Hopkins Fulfilment Services (HFS), which handles distribution for a number of university presses and publishers. Taken together, the three divisions of the Press—Books, Journals (including MUSE) and HFS—make it one of the largest of America's university presses.
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Famous quotes containing the words johns hopkins, johns, hopkins, university and/or press:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The modern woman is the curse of the universe. A disaster, that’s what. She thinks that before her arrival on the scene no woman ever did anything worthwhile before, no woman was ever liberated until her time, no woman really ever amounted to anything.”
—Adela Rogers St. Johns (1894–1988)
“Look at the stars! look, look up the skies!
O look at all the fire-folk sitting in the air!”
—Gerard Manley Hopkins (1844–1889)
“Within the university ... you can study without waiting for any efficient or immediate result. You may search, just for the sake of searching, and try for the sake of trying. So there is a possibility of what I would call playing. It’s perhaps the only place within society where play is possible to such an extent.”
—Jacques Derrida (b. 1930)
“It is in the nature of allegory, as opposed to symbolism, to beg the question of absolute reality. The allegorist avails himself of a formal correspondence between “ideas” and “things,” both of which he assumes as given; he need not inquire whether either sphere is “real” or whether, in the final analysis, reality consists in their interaction.”
—Charles, Jr. Feidelson, U.S. educator, critic. Symbolism and American Literature, ch. 1, University of Chicago Press (1953)