Setting
The series is set in the mid-1990s in an unspecified city. Decaying urban streets, shadowed back alleys and filthy convenience stores serve as the series’ backdrop. Crumbling and covered with litter and graffiti, everything is in a state of bleak decay, overlit by the neon signs of trashy consumer capitalism.
Johnny lives in a decrepit, single-story house with the street address 777. The house has an extensive labyrinth of tunnels underneath. Johnny uses the subterranean rooms as dungeons and torture chambers, as well as a storage place for corpses, though he also buries the remains of his victims. The tunnels also provide him with a network to various locations, such as his neighbor Squee's residence. Johnny perceives the layout of the house as constantly changing, though he does not state if this shifting is the result of the supernatural forces at work within the house or his own psychosis. Johnny states that he found the house and moved in some time ago. He also constructed an unidentified flying object landing pad on the roof. Throughout the series, there is no case where the authorities or the police are looking for Johnny, and seem unaware of his existence.
A later part of the story takes place in the afterlife. After accidentally shooting himself, Johnny journeys first to Heaven and then to Hell, and both turn out to have more in common with Earth than he expected.
Read more about this topic: Johnny The Homicidal Maniac
Famous quotes containing the word setting:
“Love is at the root of all healthy discipline. The desire to be loved is a powerful motivation for children to behave in ways that give their parents pleasure rather than displeasure. it may even be our own long-ago fear of losing our parents’ love that now sometimes makes us uneasy about setting and maintaining limits. We’re afraid we’ll lose the love of our children when we don’t let them have their way.”
—Fred Rogers (20th century)
“A happy marriage perhaps represents the ideal of human relationship—a setting in which each partner, while acknowledging the need of the other, feels free to be what he or she by nature is: a relationship in which instinct as well as intellect can find expression; in which giving and taking are equal; in which each accepts the other, and I confronts Thou.”
—Anthony Storr (b. 1920)
“Dandyism is the last flicker of heroism in decadent ages.... Dandyism is a setting sun; like the declining star, it is magnificent, without heat and full of melancholy. But alas! the rising tide of democracy, which spreads everywhere and reduces everything to the same level, is daily carrying away these last champions of human pride, and submerging, in the waters of oblivion, the last traces of these remarkable myrmidons.”
—Charles Baudelaire (1821–1867)