Career
An extremely diverse musician, Johnny Smith was equally at home playing in the famous Birdland jazz club or sight reading scores in the orchestral pit of the New York Philharmonic. From Schoenberg to Gershwin to originals, Smith was one of the most versatile guitarists of the 1950s.
Smith's playing is characterized by closed-position chord voicings and rapidly ascending lines (reminiscent of Django, but more diatonic than chromatically-based). From those famous 1952 sides and in to the 1960s he recorded for the Roost label, on whose releases his reputation mainly rests. Mosaic Records has issued the majority of them in an 8CD set.
His most critically acclaimed album was Moonlight in Vermont (one of Down Beat magazine's top two jazz records for 1952, featuring saxophonist Stan Getz).
His most famous musical composition is the tune "Walk Don't Run", written for a 1954 recording session as counter-melody to the chord changes of "Softly, As in the Morning Sunrise". Another guitarist, Chet Atkins, covered the song. Some musicians who became The Ventures heard the Atkins version, simplified it and sped it up, and recorded it in 1960. The Ventures' version went to No. 2 on the Billboard Top 100 for a week in September 1960.
Johnny Smith stepped out of the public eye/ear in the 1960s, having moved to Colorado in 1958 to teach and run a music store and to raise his daughter after the death of his second wife.
Read more about this topic: Johnny Smith
Famous quotes containing the word career:
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)
“John Brown’s career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.”
—Henry David Thoreau (1817–1862)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)