Parsons in Popular Culture
Before his death, Jack Parsons appeared in science fiction writer Anthony Boucher's murder mystery Rocket to the Morgue (1942) under the guise of Hugo Chantrelle. In the same book, a fictional version of L. Ron Hubbard appears as a character named D. Vance Wimpole.
Parsons' relationship with Hubbard also appears in Feral House's Apocalypse Culture, Paradox's Big Book of Conspiracies, Alan Moore's Cobweb story in Top Shelf Asks the Big Questions, and in the Jon Atack nonfiction book A Piece of Blue Sky. He was one of the characters in Craig Baldwin's collage film Mock Up on Mu. A character named Zachary Carsons, based on Parsons, appears in the 2001 film The Profit. Parsons also was the main villain of the Atomic Robo short story "Rocket Science is a Two-Edged Sword," wherein Robo prevents Parsons from attaining godhood through a system of magick infused with science.
He is referenced in Philip K. Dick's novel Dr. Futurity, in which the protagonist is named Jim Parsons. He briefly appears in a 2002 issue of Alan Moore's comic book series Promethea entitled "The Wine Of Her Fornications" where he is one of the adepts in the "city of pyramids" in Moore's version of the Binah sphere of the Tree of Life and is watched over by John Dee. A play about Parsons, Babalon, by Paul Green, was performed in London in December 2005 by Travesty Theatre. There is an entry dedicated to Parsons in The QI Book of the Dead by John Lloyd and John Mitchinson. A stage play about Parsons by George Morgan, Pasadena Babalon, premiered at the California Institute of Technology in Pasadena in 2010. It was directed by film and TV actor Brian Brophy. Adam Howden portrays him on a 2012 episode of the Science Channel series, Dark Matters: Twisted But True.
Read more about this topic: John Whiteside Parsons
Famous quotes containing the words parsons, popular and/or culture:
“I will have no Parsons around me but such as drink deep, ride to Hounds and caress the Wives and Daughters of their Parishioners. A Virtuous Parson does nothing to test or exercise the Faith of his Flock.”
—Aldous Huxley (1894–1963)
“It is said the city was spared a golden-oak period because its residents, lacking money to buy the popular atrocities of the nineties, necessarily clung to their rosewood and mahogany.”
—Administration in the State of Sout, U.S. public relief program (1935-1943)
“Culture is the suggestion, from certain best thoughts, that a man has a range of affinities through which he can modulate the violence of any master-tones that have a droning preponderance in his scale, and succor him against himself. Culture redresses this imbalance, puts him among equals and superiors, revives the delicious sense of sympathy, and warns him of the dangers of solitude and repulsion.”
—Ralph Waldo Emerson (1803–1882)