John Tenniel - Works

Works

Illustrated by Tenniel:

  • Juvenile Verse and Picture Book, (1846)
  • Undine (1846)
  • Aesop's Fables, 100 drawings (1848)
  • Blair's Grave (1858)
  • Shirley Brooks' The Gordian Knot (1860)
  • Shirley Brooks' The Silver Cord (1861)
  • Moore's Lalla Rookh, 69 drawings (1861)
  • Lewis Carroll's Alice's Adventures in Wonderland (1866)
  • The Mirage of Life, 1867
  • Lewis Carroll's Through the Looking-Glass (1870)
  • Lewis Carroll's The Nursery "Alice" (1890)

Illustrated by Tenniel in collaboration:

  • Pollok's Course of Time (1857)
  • Poets of the Nineteenth Century (1857)
  • Poe's Works (1857)
  • Home Affections (1858)
  • Cholmondeley Pennell's Puck on Pegasus (1863)
  • The Arabian Nights (1863)
  • English Sacred Poetry (1864)
  • Legends and Lyrics (1865)
  • Tupper's Proverbial Philosophy
  • Barry Cornwall's Poems, and other books

He also contributed to Once a Week, the Art Union publications, etc.

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Famous quotes containing the word works:

    “The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
    —Freya Stark (b. 1893–1993)

    “His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.”
    —Henry David Thoreau (1817–1862)

    “My first childish doubt as to whether God could really be a good Protestant was suggested by my observation of the deplorable fact that the best voices available for combination with my mother’s in the works of the great composers had been unaccountably vouchsafed to Roman Catholics.”
    —George Bernard Shaw (1856–1950)