Relationships and Personal Life
Sargent was a lifelong bachelor who surrounded himself with family and friends. Among the artists with whom Sargent associated were Dennis Miller Bunker, James Carroll Beckwith, Edwin Austin Abbey (who also worked on the Boston Public Library murals), Francis David Millet and Claude Monet, whom Sargent painted. Between 1905 and 1914, Sargent's frequent traveling companions were the married artist couple Wilfrid de Glehn and Jane Emmet de Glehn. The trio would often spend summers in France, Spain or Italy and all three would depict one another in their paintings during their travels.
Sargent developed a lifelong friendship with fellow painter Paul César Helleu, whom he met in Paris in 1878 when Sargent was 22 and Helleu was 18. Sargent's friends and supporters included Henry James, Isabella Stewart Gardner (who commissioned and purchased works from Sargent, and sought his advice on other acquisitions), and Edward VII.
Sargent was extremely private regarding his personal life, although the painter Jacques-Émile Blanche, who was one of his early sitters, said after his death that Sargent's sex life "was notorious in Paris, and in Venice, positively scandalous. He was a frenzied bugger." The truth of this may never be established. Some scholars have suggested that Sargent was homosexual. He had personal associations with Prince Edmond de Polignac and Count Robert de Montesquiou. His male nudes reveal complex and well-considered artistic sensibilities about the male physique and male sensuality; this can be particularly observed in his portrait of Thomas E. McKeller, but also in Tommies Bathing, nude sketches for Hell and Judgement, and his portraits of young men, like Bartholomy Maganosco and Head of Olimpio Fusco. However, there were many friendships with women, as well, and a similar suppressed sensualism informs his female portrait and figure studies (notably Egyptian Girl, 1891). Art historian Deborah Davis suggests that Sargent's interest in women he considered exotic, Rosina Ferrara, Amélie Gautreau and Judith Gautier, was prompted by infatuation that transcended aesthetic appreciation. The likelihood of an affair with Louise Burkhardt, the model for Lady with the Rose, is accepted by Sargent scholars.
Read more about this topic: John Singer Sargent
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