Works
- The Body: A Study in Pauline Theology, 1952
- Jesus and His Coming: The Emergence of a Doctrine, 1959
- On Being the Church in the World, 1960
- Honest to God, 1963, Philadelphia: Westminster John Knox, paperback ed.
- The New Reformation, 1965, Westminster John Knox
- Exploration into God, 1967
- But That I Can't Believe!, 1967
- In the End...God: A Study of Last Things, 1968
- The Difference in Being a Christian Today, 1971
- The Human Face of God, 1973
- Redating the New Testament, 1976, Wipf & Stock Publishers: ISBN 1-57910-527-0
- “The New Testament Dating Game,” Time (21 March 1977), p. 95.
- Truth is Two-Eyed, 1979
- Wrestling With Romans, 1979
- The Roots of a Radical, 1981
- Where Three Ways Meet, 1983
- Priority of John, 1985
Read more about this topic: John Robinson (bishop Of Woolwich)
Famous quotes containing the word works:
“The whole idea of image is so confused. On the one hand, Madison Avenue is worried about the image of the players in a tennis tour. On the other hand, sports events are often sponsored by the makers of junk food, beer, and cigarettes. What’s the message when an athlete who works at keeping her body fit is sponsored by a sugar-filled snack that does more harm than good?”
—Martina Navratilova (b. 1956)
“Most young black females learn to be suspicious and critical of feminist thinking long before they have any clear understanding of its theory and politics.... Without rigorously engaging feminist thought, they insist that racial separatism works best. This attitude is dangerous. It not only erases the reality of common female experience as a basis for academic study; it also constructs a framework in which differences cannot be examined comparatively.”
—bell hooks (b. c. 1955)
“Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
—Thomas Mann (1875–1955)