Works
| Title | Type | Year | Notes |
|---|---|---|---|
| The Devil Inside | Theatre | 1950 | with Stella Linden |
| The Great Bear | Theatre | 1951 | blank verse, never produced |
| Personal Enemy | Theatre | 1955 | with Anthony Creighton |
| Look Back in Anger | Theatre | 1956 | |
| The Entertainer | Theatre | 1957 | |
| Epitaph for George Dillon | Theatre | 1958 | with Anthony Creighton |
| The World Of Paul Slickey | Theatre | 1959 | |
| A Subject Of Scandal And Concern | TV | 1960 | |
| Luther | Theatre | 1961 | |
| Plays for England | Theatre | 1962 | |
| The Blood of the Bambergs | Theatre | 1962 | |
| Under Plain Cover | Theatre | 1962 | |
| Tom Jones | Screenplay | 1963 | |
| Inadmissible Evidence | Theatre | 1964 | |
| A Patriot for Me | Theatre | 1965 | |
| A Bond Honoured | Theatre | 1966 | One-act adaptation of Lope de Vega's La fianza satisfecha |
| The Hotel In Amsterdam | Theatre | 1968 | |
| Time Present | Theatre | 1968 | |
| The Charge of the Light Brigade | Screenplay | 1968 | |
| The Right Prospectus | TV | 1970 | |
| West Of Suez | Theatre | 1971 | |
| A Sense Of Detachment | Theatre | 1972 | |
| The Gift Of Friendship | TV | 1972 | |
| Hedda Gabler | Theatre | 1972 | Ibsen adaptation |
| A Place Calling Itself Rome | Theatre | (1973) | Coriolanus adaptation, unproduced |
| Ms, Or Jill And Jack | TV | 1974 | |
| The End Of Me Old Cigar | Theatre | 1975 | |
| The Picture Of Dorian Gray | Theatre | 1975 | Wilde adaptation |
| Almost A Vision | TV | 1976 | |
| Watch It Come Down | Theatre | 1976 | |
| Try A Little Tenderness | Theatre | (1978) | unproduced |
| Very Like A Whale | TV | 1980 | |
| You're Not Watching Me, Mummy | TV | 1980 | |
| A Better Class of Person | Book | 1981 | autobiography volume I |
| A Better Class of Person | TV | 1985 | |
| God Rot Tunbridge Wells | TV | 1985 | |
| The Father | Theatre | 1989 | Strindberg adaptation |
| Almost a Gentleman | Book | 1991 | autobiography volume II |
| Déjàvu | Theatre | 1992 |
Read more about this topic: John Osborne
Famous quotes containing the word works:
“The subterranean miner that works in us all, how can one tell whither leads his shaft by the ever shifting, muffled sound of his pick?”
—Herman Melville (1819–1891)
“His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.”
—Henry David Thoreau (1817–1862)
“The discovery of Pennsylvania’s coal and iron was the deathblow to Allaire. The works were moved to Pennsylvania so hurriedly that for years pianos and the larger pieces of furniture stood in the deserted houses.”
—For the State of New Jersey, U.S. public relief program (1935-1943)