Critic
He reviewed for the Westminster Gazatte and then the Times Literary Supplement, from 1912. Initially he was much influenced by the philosophy of Henri Bergson, which he disavowed in 1913.
He was one of an identified group of post-World War I critics that included Richard Aldington, Robert Graves, Aldous Huxley, Herbert Read, and Edgell Rickword. Murry gave Huxley an editorial job at The Athenaeum.
Murry led the charge against Georgian poetry. A leader in the 16 May 1919 edition of The Athenaeum was an early example of a reasoned attack against the Georgian style of verse; and Murry coupled this with an adversarial attitude to the London Mercury edited by J. C. Squire. He reviewed quite harshly Siegfried Sassoon's Counter-Attack in 1918, despite having helped him in 1917 to draft an anti-war piece for H. W. Massingham's The Nation. In-house, however, he was not master enough to award an essay competition prize to the then-unknown Herbert Read, over the wishes of George Saintsbury and Robert Bridges, who preferred the poet William Orton.
F. R. Leavis admired and was influenced by Murry's early criticism. Later he was to attack Murry viciously, in the pages of Scrutiny.
Read more about this topic: John Middleton Murry
Famous quotes containing the word critic:
“A critic is a bundle of biases held loosely together by a sense of taste.”
—Whitney Balliet (b. 1926)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)
“No publisher should ever express an opinion on the value of what he publishes. That is a matter entirely for the literary critic to decide.... I can quite understand how any ordinary critic would be strongly prejudiced against a work that was accompanied by a premature and unnecessary panegyric from the publisher. A publisher is simply a useful middle-man. It is not for him to anticipate the verdict of criticism.”
—Oscar Wilde (1854–1900)