John Marston (poet) - Works

Works

Plays and Production dates
  • Histriomastix, London, Paul's Theatre, 1599 (attrib.).
  • Antonio and Mellida, London, Paul's theater, 1599-1600.
  • Jack Drum's Entertainment, London, Paul's theater, 1599/1600.
  • Antonio's Revenge, London, Paul's theater, 1600.
  • What You Will, London, Paul's theater, 1601.
  • The Malcontent, London, Blackfriars Theatre, 1603–1604; Globe Theatre, 1604.
  • Parasitaster, or The Fawn, London, Blackfriars theater, 1604.
  • Eastward Ho, by Marston, George Chapman, and Ben Jonson, London, Blackfriars theater, 1604-1605.
  • The Dutch Courtesan, London, Blackfriars theater, 1605.
  • The Wonder of Women, or The Tragedy of Sophonisba, London, Blackfriars theater, 1606.
  • The Spectacle Presented to the Sacred Majesties of Great Britain, and Denmark as They Passed through London, London, 31 July 1606.
  • The Entertainment of the Dowager-Countess of Darby, Ashby-de-la-Zouch in Leicestershire, 1607.
  • The Insatiate Countess, by Marston and William Barksted, London, Whitefriars Theatre, 1608?.
Books
  • The Metamorphosis of Pigmalions Image. And Certaine Satyres (London: Printed by J. Roberts for E. Matts, 1598).
  • The Scourge of Villanie. Three Bookes of Satyres (London: Printed by J. Roberts & sold by J. Buzbie, 1598; revised and enlarged edition, London: J. Roberts, 1599).
  • Jacke Drums Entertainment: Or, The Comedie of Pasquill and Katherine (London: Printed by T. Creede for R. Olive, 1601).
  • Loves Martyr: or, Rosalins Complaint, by Marston, Ben Jonson, William Shakespeare, and George Chapman (London: Printed for E. B., 1601).
  • The History of Antonio and Mellida (London: Printed by R. Bradock for M. Lownes & T. Fisher, 1602).
  • Antonios Revenge (London: Printed by R. Bradock for T. Fisher, 1602).
  • The Malcontent (London: Printed by V. Simmes for W. Aspley, 1604).
  • Eastward Hoe, by Marston, Chapman, and Jonson (London: Printed by G. Eld for W. Aspley, 1605).
  • The Dutch Courtezan (London: Printed by T. Purfoote for J. Hodgets, 1605).
  • Parasitaster, or The Fawne (London: Printed by T. Purfoote for W. Cotton, 1606).
  • The Wonder of Women, or The Tragedie of Sophonisba (London: Printed by J. Windet, 1606).
  • What You Will (London: Printed by G. Eld for T. Thorppe, 1607).
  • Histrio-mastix: Or, The Player Whipt (London: Printed by G. Eld for T. Thorp, 1610).
  • The Insatiate Countesse, by Marston and William Barksted (London: Printed by T. Snodham for T. Archer, 1613).
  • The Workes of Mr. J. Marston (London: Printed by A. Mathewes for W. Sheares, 1633); republished as Tragedies and Comedies (London: Printed by A. Mathewes for W. Sheares, 1633).
  • Comedies, Tragi-comedies; & Tragedies, Nonce Collection (London, 1652).
  • Lust's Dominion, or The Lascivious Queen (presumably the same play as The Spanish Moor's Tragedy), by Marston, Thomas Dekker, John Day, and William Haughton (London: Printed for F. K. & sold by Robert Pollard, 1657).


Read more about this topic:  John Marston (poet)

Famous quotes containing the word works:

    Nature is so perfect that the Trinity couldn’t have fashioned her any more perfect. She is an organ on which our Lord plays and the devil works the bellows.
    Johann Wolfgang Von Goethe (1749–1832)

    The man who builds a factory builds a temple, that the man who works there worships there, and to each is due, not scorn and blame, but reverence and praise.
    Calvin Coolidge (1872–1933)

    Audible prayer can never do the works of spiritual understanding, which regenerates; but silent prayer, watchfulness, and devout obedience enable us to follow Jesus’ example. Long prayers, superstition, and creeds clip the strong pinions of love, and clothe religion in human forms. Whatever materializes worship hinders man’s spiritual growth and keeps him from demonstrating his power over error.
    Mary Baker Eddy (1821–1910)