Physical Appearance and Character
The Latin historian William of Tyre described John as short and unusually ugly, with eyes, hair and complexion so dark he was known as 'the Moor'. Yet despite his physical appearance, John was known as Kaloïōannēs, "John the Good" or "John the Beautiful". The epithet referred not to his body but to his character. Both his parents had been unusually pious and John surpassed them. Members of his court were expected to restrict their conversation to serious subjects only. The food served at the emperor's table was very frugal and John lectured courtiers who lived in excessive luxury. His speech was dignified, but he engaged in repartee on occasion and his seriousness did not exclude a sense of humour. As a father he was affectionate, though he demanded high standards from his children, and he was a faithful husband to his wife. Despite his personal austerity, John had a high conception of the imperial role and would appear in full ceremonial splendour when this was advantageous. He was highly respected and honoured by his people.
John was famed for his piety and his remarkably mild and just reign. He is an exceptional example of a moral ruler, at a time when cruelty was the norm. He never condemned anyone to death or mutilation. Charity was dispensed lavishly. For this reason, he has been called the Byzantine Marcus Aurelius. By the example of his personal purity and piety he effected a notable improvement in the manners of his age. Descriptions of him and his actions indicate that he was gifted with great self-control and personal courage, John was an excellent strategist and an expert imperator in the field, and through his many campaigns he devoted himself to the preservation of his empire.
Read more about this topic: John II Komnenos
Famous quotes containing the words physical, appearance and/or character:
“Perhaps it is the lowest of the qualities of an orator, but it is, on so many occasions, of chief importance,a certain robust and radiant physical health; orshall I say?great volumes of animal heat.”
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“The image cannot be dispossessed of a primordial freshness, which idea can never claim. An idea is derivative and tamed. The image is in the natural or wild state, and it has to be discovered there, not put there, obeying its own law and none of ours. We think we can lay hold of image and take it captive, but the docile captive is not the real image but only the idea, which is the image with its character beaten out of it.”
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