In Television & Drama
In 1995, following a major Symposium on the Longitude Problem organized by the National Association of Watch and Clock Collectors (NAWCC) at Harvard University, Dava Sobel wrote a book chronicling the history of John Harrison's invention entitled Longitude: The True Story of a Lone Genius Who Solved the Greatest Scientific Problem of His Time. Although horological historians are of the opinion that Sobel over-dramatised events such as the struggle between Harrison and Maskelyne, her book became the first ever popular bestseller with a theme focused on horology.
An illustrated volume co-written with William J. H. Andrewes was printed in 1998: The Illustrated Longitude.
Sobel's book was dramatised for UK television by Charles Sturridge in a Granada Productions film for Channel 4 in 1999 under the title Longitude and was broadcast in the US later that same year by co-producer A&E. The production starred Michael Gambon as Harrison and Jeremy Irons as Gould.
Sobel's book was also the basis for a PBS NOVA episode entitled Lost at Sea: The Search for Longitude.
Harrison's marine time-keepers were an essential part of the plot in the 1996 Christmas special of long-running British sitcom Only Fools And Horses entitled "Time On Our Hands". Del Boy happens to be the owner of Harrison's Lesser Watch which was lost for centuries, which eventually fetches them £6.2 million at auction at Sotheby's. Harrison's notes and drawings suggest that H6 was built but it has never been found. It looked like an overgrown pocket watch and Harrison scholars still dream of finding it in an attic.
Read more about this topic: John Harrison
Famous quotes containing the words television and/or drama:
“What is a television apparatus to man, who has only to shut his eyes to see the most inaccessible regions of the seen and the never seen, who has only to imagine in order to pierce through walls and cause all the planetary Baghdads of his dreams to rise from the dust.”
—Salvador Dali (1904–1989)
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1859–1924)