Career
After graduation, Hannah had parts in theatre productions, films, and television, including leading roles, then broke into the "big-time" with his appearance as Matthew in Four Weddings and a Funeral (1994). Since this breakthrough role, he has played a psychopathic killer alongside Helen Baxendale in Truth or Dare and a mystery-solving pathologist in McCallum. He played a karaoke-mad dead-beat dad in The James Gang, drunken, thieving comic relief in The Mummy (1999) and The Mummy Returns (2001), and a Monty Python-quoting romantic comedy love interest in Sliding Doors (1998). He also starred in the axed U.S. series MDs (2002), as well as making guest appearances in Alias (2001), Carnivàle (2002) and Frasier (2003). In 2006 he starred in the drama series New Street Law. In 2007-2008, he played a starring role in the ITV crime drama Cold Blood.
On 24 December 1997, Hannah and Scottish Films producer Murray Ferguson established a production company called Clerkenwell Films. Clerkenwell's first big production was the Rebus series, including Black And Blue and The Hanging Garden. However, Rebus was later taken in-house by STV Productions, and Hannah was replaced in the leading role in the series by Ken Stott. He is the voice of the The Co-operative Group adverts in the UK. More recently he played the part of Quintus Lentulus Batiatus, the owner of a gladiator training house in Spartacus: Blood and Sand, and its prequel, Spartacus: Gods of the Arena.
Read more about this topic: John Hannah (actor)
Famous quotes containing the word career:
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)