Career
Guare's early plays, mostly comic one-acts exhibiting a flair for the absurd, include To Wally Pantoni, We Leave a Credenza (1964), Muzeeka (1968), and Cop-Out (1968). The House of Blue Leaves (1971), a domestic drama by turns wildly comic and despairingly desperate, moved Guare into the front ranks of American dramatists. Chaucer in Rome, a sequel to The House of Blue Leaves, received its world premiere at the Williamstown Theatre Festival in July 1999 and later enjoyed a production in New York by Lincoln Center Theater.
Later plays include Marco Polo Sings a Solo, Bosoms and Neglect, Moon Over Miami, Six Degrees of Separation, and Four Baboons Adoring the Sun. Lake Hollywood and A Few Stout Individuals (2002) both received their world premieres at Signature Theatre. Six Degrees of Separation (1990), an intricately plotted comedy of manners about an African-American confidence man who poses as the son of film star Sidney Poitier, has been the most highly praised and widely produced of Guare's full-length plays. It was made into a film in 1993.
Guare’s cycle of plays on nineteenth-century America, Gardenia, Lydie Breeze and Women and Water, has been performed in New York, Los Angeles, Chicago, San Francisco, Washington D.C., London and Australia. A Few Stout Individuals returns to nineteenth century America, with a cast that includes Ulysses S. Grant, Mark Twain, soprano Adelina Patti and the Emperor and Empress of Japan. These historic dramas investigate the violence at the root of American identity and the failure of utopian aspirations.
Guare has also been involved with musical theatre. His libretto with Mel Shapiro for the musical Two Gentlemen of Verona was a success when it premiered in 1971 and was revived in 2005 at the Public Theater's Shakespeare in the Park. It won the two men the Drama Desk Award for Outstanding Book of a Musical. He wrote the songs for Landscape of the Body. Guare wrote narration for '"Psyche,"' a tone poem by César Franck, which premiered at Avery Fisher Hall in October 1997, conducted by Kurt Masur with the New York Philharmonic. In 1999, he revised the book of the Cole Porter musical comedy, Kiss Me, Kate for its Broadway revival. He also wrote the book for the Broadway musical Sweet Smell of Success (musical).
Guare wrote the screenplay for Louis Malle's film Atlantic City (1980), for which he was nominated for an Oscar.
He was a founding member in 1965 of the Eugene O'Neill Theater Center in Waterford, Connecticut and Resident Playwright at the New York Shakespeare Festival in 1976. He is a council member of the Dramatists Guild, co-editor of the Lincoln Center Theater Review, co-produces the New Plays Reading Room Series at the Lincoln Center Library for the Performing Arts and teaches in the Playwriting department at the Yale School of Drama.
Read more about this topic: John Guare
Famous quotes containing the word career:
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partners job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“Never hug and kiss your children! Mother love may make your childrens infancy unhappy and prevent them from pursuing a career or getting married! Thats total hogwash, of course. But it shows on extreme example of what state-of-the-art scientific parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)
“Ive been in the twilight of my career longer than most people have had their career.”
—Martina Navratilova (b. 1956)