John Gilbert (painter) - Biography

Biography

He was born in Blackheath, Surrey, and taught himself to paint. Skilled in several media, he gained the nickname, "the Scott of painting". He was best known for the illustrations and woodcuts he produced for the Illustrated London News.

Gilbert was initially apprenticed to a firm of estate agents, but taught himself art by copying prints. He was unable to enter the Royal Academy Schools, but mastered watercolour, oils, and other media. From 1836 he exhibited at the Society of British Artists, and at the RA from 1838. The art patron Thomas Sheepshanks and the artist William Mulready suggested that he learn wood engraving. Starting with Punch, he moved on to the Illustrated London News. He produced an impressive number of wood engravings for that publication and for The London Journal. He also produced very many illustrations for books, including nearly all the important English poets (including his illustrated Shakespeare with almost 750 drawings). He became president of the Old Watercolour Society in 1871. He exhibited some 400 pictures in watercolour and oil exhibited at the various societies. In 1872 he was knighted. He became an RA in 1876, in the same year as Edward Poynter.

The Gilbert-Garret Competition for Sketching Clubs was started in 1870 at St. Martins School of Art, and named after its first president, John Gilbert.

Gilbert is buried at Brockley and Ladywell Cemeteries.

Read more about this topic:  John Gilbert (painter)

Famous quotes containing the word biography:

    Just how difficult it is to write biography can be reckoned by anybody who sits down and considers just how many people know the real truth about his or her love affairs.
    Rebecca West (1892–1983)

    There never was a good biography of a good novelist. There couldn’t be. He is too many people, if he’s any good.
    F. Scott Fitzgerald (1896–1940)

    A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.
    André Maurois (1885–1967)