John Gilbert (actor) - Life and Career

Life and Career

Born John Cecil Pringle in Logan, Utah, to stock company actor parents, he struggled through a childhood of abuse and neglect before moving to Hollywood as a teenager. He first found work as an extra with the Thomas Ince Studios, and soon became a favorite of Maurice Tourneur, who also hired him to write and direct several pictures. He quickly rose through the ranks, building his reputation as an actor in such films as Heart o' the Hills with Mary Pickford. In 1921, Gilbert signed a three year contract with Fox Film Corporation, where he was cast as a romantic leading man. Some of his films for Fox include Monte Cristo, an adaptation of The Count of Monte Cristo; St. Elmo, an adaptation of a popular book of the period; The Wolf Man, not a horror film, the story of a man who believes he murdered his fiancee's brother while drunk and many others. At the time, Gilbert did not sport his famous mustache, and this made his features more uneven and a little less handsome, and Fox plainly did not realize what huge potential he had.

In 1924, he moved to Metro-Goldwyn-Mayer, where he became a full-fledged star with such high-profile films as His Hour directed by King Vidor and written by Elinor Glyn; He Who Gets Slapped (both 1924), co-starring Lon Chaney, Sr. and Norma Shearer, and directed by Victor Sjöström; and The Merry Widow (1925) directed by Erich von Stroheim and co-starring Mae Murray. In 1925, Gilbert was once again directed by Vidor in the war epic The Big Parade, which became the second highest grossing silent film. His performance in this film made him a major star. The following year, Vidor reunited Gilbert with two of his co-stars from that picture, Renée Adorée and Karl Dane, for the film La Bohème which also starred Lillian Gish.

Gilbert married the successful film actress Leatrice Joy in 1922. The union produced a daughter, Leatrice Gilbert Fountain, but the tempestuous marriage only lasted two years. The couple divorced in 1924, with Joy charging that Gilbert was a compulsive philanderer.

In 1926, Gilbert made Flesh and the Devil, his first film with Greta Garbo. They soon began a very public relationship, much to the delight of their fans. Gilbert wanted to marry her, but Garbo continually balked. Legend has it that a wedding was finally planned but Garbo failed to appear at the ceremony. Recent Garbo biographers, however, have questioned the veracity of this story. Despite their rocky off-screen relationship, they continued to generate box-office revenue for the studio, and MGM paired them in two more silents Love (1927), a modern adaptation of Anna Karenina, and A Woman of Affairs (1928). The former film was slyly advertised by MGM as "Garbo and Gilbert in Love."