New York Theater and The Group
Garfield received feature billing in his next role, that of Henry the office boy, in Elmer Rice's play Counsellor-at-Law starring Paul Muni. The play ran for three months, made an eastern tour and returned for an unprecedented second return engagement, only closing when Muni was contractually compelled to return to Hollywood to make a film for Warners. At this point the Warner company expressed an interest in Garfield and sought to arrange a screen test. He turned them down.
Garfield's former colleagues Crawford, Clurman and Strasburg had begun a new theater collective, calling it simply "the Group", and Garfield lobbied his friends hard to get in. After months of rejection he began frequenting the inside steps of the Broadhurst Theater where the Group had its offices. Cheryl Crawford noticed him one day and greeted him warmly. Feeling encouraged, he made his request for apprenticeship. Something intangible impressed her and she recommended him to the other directors. They made no dissent.
Clifford Odets had been a close friend of Garfield from the early days in the Bronx. After Odets' one-act play Waiting for Lefty became a surprise hit, the Group announced it would mount a production of his full length drama Awake and Sing. At the playwright's insistence, Garfield was cast as Ralph, the sensitive young son who pled for "a chance to get to first base." The play opened in February 1935 and Garfield was singled out by critic Brooks Atkinson for having a "splendid sense of character development." Garfield's apprenticeship was officially over; he was voted full membership by the company. Odets was the man of the moment and he claimed to the press that Garfield was his "find"; that he would soon write a play just for him. That play would turn out to be Golden Boy and when Luther Adler was cast in the lead role instead, a disillusioned Garfield began to take a second look at the overtures being made by Hollywood.
Read more about this topic: John Garfield
Famous quotes containing the words york, theater and/or group:
“More than illness or death, the American journalist fears standing alone against the whim of his owners or the prejudices of his audience. Deprive William Safire of the insignia of the New York Times, and he would have a hard time selling his truths to a weekly broadsheet in suburban Duluth.”
—Lewis H. Lapham (b. 1935)
“The theater needs continual reminders that there is nothing more debasing than the work of those who do well what is not worth doing at all.”
—Gore Vidal (b. 1925)
“The trouble with tea is that originally it was quite a good drink. So a group of the most eminent British scientists put their heads together, and made complicated biological experiments to find a way of spoiling it. To the eternal glory of British science their labour bore fruit.”
—George Mikes (b. 1912)