Plays
Fletcher's canon presents unusual difficulties of attribution. He collaborated regularly and widely, most often with Beaumont and Massinger but also with Nathan Field, Shakespeare and others. Some of his early collaborations with Beaumont were later revised by Massinger, adding another layer of complexity to unravel. Fortunately for scholars and students of English literature, Fletcher also used highly distinctive mannerisms in his creative efforts that effectively identify his presence. He frequently uses ye instead of you, at rates sometimes approaching 50%. He frequently employs 'em for them, along with a set of other particular preferences in contractions. He adds a sixth stressed syllable to a standard pentameter verse line—most often sir but also too or still or next. Various other specific habits and preferences reveal his hand. The detection of this pattern, this personal Fletcherian textual profile, has allowed researchers to penetrate the confusions of the Fletcher canon with good success—and has in turn encouraged the use of similar techniques more broadly in the study of literature.
Careful bibliography has established the authors of each play with some degree of certainty. Determination of the exact shares of each writer (for instance by Cyrus Hoy) in particular plays is ongoing, based on patterns of textual and linguistic preferences, stylistic grounds, and idiosyncrasies of spelling.
The list that follows gives a consensus verdict (at least a tentative one) on the authorship of the plays in Fletcher's canon, with likeliest dates of authorship, dates of first publication, and dates of licensing by the Master of the Revels, where available.
Read more about this topic: John Fletcher (playwright)
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“For if he meets another cat he will kiss her in kindness.
For when he takes his prey he plays with it to give it chance.”
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