The John F. Kennedy Center for the Performing Arts (on the building itself called the John F. Kennedy Memorial Center for the Performing Arts, and commonly referred to as the Kennedy Center) is a performing arts center located on the Potomac River, adjacent to the Watergate complex in Washington, D.C. The Center, which opened on September 8, 1971, produces and presents theater, dance, ballet, orchestral, chamber, jazz, popular, and folk music, in addition to multi-media performances for all ages.
It is the busiest performing arts facility in the United States and annually hosts approximately 2,000 performances for audiences totaling nearly two million; Center-related touring productions, television, and radio broadcasts welcome 20 million more. Now in its 40th season, the Center presents the greatest examples of music, dance and theater; supports artists in the creation of new work; and serves the nation as a leader in arts education. With its artistic affiliate, the National Symphony Orchestra, the Center's achievements as a commissioner, producer, and nurturer of developing artists have resulted in over 200 theatrical productions, dozens of new ballets, operas, and musical works.
It represents a public-private partnership, since it is both the nation's living memorial to President John F. Kennedy and the "national center for the performing arts", which includes educational and outreach initiatives, almost entirely paid for through ticket sales and gifts from individuals, corporations, and private foundations.
Designed by architect Edward Durell Stone, it was built by Philadelphia contractor John McShain and is administered by a bureau of the Smithsonian Institution. It receives federal funding each year to pay for the maintenance and operation of the building.
Read more about John F. Kennedy Center For The Performing Arts: History, Architecture, Venues, VSA, Renovations, Management
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“More than in any other performing arts the lack of respect for acting seems to spring from the fact that every layman considers himself a valid critic.”
—Uta Hagen (b. 1919)
“I met Jack Kennedy in November, 1946.... We went out on a double date and it turned out to be a fair evening for me. I seduced a girl who would have been bored by a diamond as big as the Ritz.”
—Norman Mailer (b. 1923)
“I don’t think America’s the center of the world anymore. I think African women will lead the way [in] ... women’s liberation ... The African woman, she’s got a country, she’s got the flag, she’s got her own army, got the navy. She doesn’t have a racism problem. She’s not afraid that if she speaks up, her man will say goodbye to her.”
—Faith Ringgold (b. 1934)
“Bottom. What is Pyramus? A lover or a tyrant?
Quince. A lover that kills himself, most gallant, for love.
Bottom. That will ask some tears in the true performing of it. If I do it, let the audience look to their eyes.”
—William Shakespeare (1564–1616)
“As far as the arts and the sciences are concerned, the German mind appreciates most highly that which it does not understand of the latter, and that which it does not enjoy of the former.”
—Franz Grillparzer (1791–1872)