Other Works
Besides Dr. Fell, Carr mysteries feature three other series detectives: Sir Henry Merrivale (H.M.), Henri Bencolin, and Colonel March. Many of the Merrivale novels, written under the Carter Dickson byline, rank with Carr's best work, including the highly praised The Judas Window (1938).
A few of his novels do not feature a series detective. The most famous of these, The Burning Court (1937), involves witchcraft, poisoning, and a body that disappears from a sealed crypt in suburban Philadelphia; it was the basis for the French film La Chambre ardente (1962).
Carr wrote in the short story format as well. "Most of Carr's stories are compressed versions of his locked-room novels, and at times they benefit from the compression. Probably the best of them are in the Carter Dickson book, The Department of Queer Complaints (1940), although this does not include the brilliantly clever H.M. story The House in Goblin Wood or a successful pastiche which introduces Edgar Allan Poe as a detective."
In 1950 Carr wrote a novel called The Bride of Newgate, set in 1815 at the close of the Napoleonic Wars, one of the earliest full-length historical whodunnits. The Devil in Velvet and Fire, Burn! are the two historical novels with which he himself was most pleased. With Adrian Conan Doyle, the youngest son of Sir Arthur Conan Doyle, Carr wrote Sherlock Holmes stories that were published in the 1954 collection The Exploits of Sherlock Holmes. He was also honored by the estate of Sir Arthur Conan Doyle by being asked to write the biography for the legendary author. The book, The Life of Sir Arthur Conan Doyle, appeared in 1949 and received generally favorable reviews for its vigor and entertaining style.
Read more about this topic: John Dickson Carr
Famous quotes containing the word works:
“The family that perseveres in good works will surely have an abundance of blessings.”
—Chinese proverb.
“The mind, in short, works on the data it receives very much as a sculptor works on his block of stone. In a sense the statue stood there from eternity. But there were a thousand different ones beside it, and the sculptor alone is to thank for having extricated this one from the rest.”
—William James (1842–1910)