Career
Crane started in show business working local comedy clubs in the New Orleans area, and then earned a spot as a cast member of Cheap Theatrix, a New Orleans sketch comedy group written and produced by Buddy Sheffield. Crane moved to Los Angeles, California, in the mid-1980s and worked briefly as the director of Universal Studios' Star Trek Adventure. He was later admitted to the Groundlings comedy school where he wrote and performed with Will Ferrell, Cheri Oteri, Kathy Griffin, Michael McDonald and Chris Kattan, among others. Between stints with The Groundlings in the early 1990s, Crane co-wrote and starred in Nickelodeon's Saturday night ensemble variety series, Roundhouse, produced by Sheffield and his former spouse, Rita Hester. His most notable recurring role on Roundhouse was as the children's father, who rode around the set in a motorized recliner. Roundhouse was canceled after four seasons.
In the mid-1990s, Crane was a cast member on the syndicated children's TV show AJ's Time Travelers and earned a number of small on-screen TV roles, including spots on Baywatch, The Love Boat: The Next Wave, Murder Live!, Night Stand with Dick Dietrick and Alien Avengers. He had several supporting roles in movies such as Body Waves, Blood Fist IV, Richie Rich Christmas Wish and The Hole. He also wrote a number of episodes for the popular cartoon Johnny Bravo. Crane was later hired to write and produce Nickelodeon's hit series Rocket Power, and wrote a number of episodes of Nickelodeon's CatDog and at least one episode of Jimmy Neutron.
Crane joined the writing staff at MADtv in 2000 and was promoted to head writer in 2006. He was promoted to Executive Producer/Show Runner in 2007. In addition to a few minor roles, Crane has appeared on MADtv as Choppy, a semi-recurring character who annoys others with his grating voice, loud boom box, strange dance moves and oversized Big Gulp soda. Crane also recently consulted on the Victoria Beckham reality TV show, Coming to America.
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Famous quotes containing the word career:
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
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“Clearly, society has a tremendous stake in insisting on a woman’s natural fitness for the career of mother: the alternatives are all too expensive.”
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