Musical Career
By 1971, he moved to Nashville, Tennessee, in pursuit of a musical career, signing to ABC Records in 1976. Conlee charted for the first time in 1978 with "Rose Colored Glasses," a No. 5 hit on the Billboard Hot Country Singles (now Hot Country Songs) charts, as well as the title track to his 1978 debut album. This album would go on to produce his first two Number One hits in "Lady Lay Down" and "Backside of Thirty."
Following ABC's merger with MCA Records, he released his 1979 album Forever on MCA. Its singles, "Before My Time" and "Baby, You're Something," respectively reached No. 2 and No. 7. A second MCA release, Friday Night Blues, produced two more No. 2 hits in the title track and "She Can't Say That Anymore," followed by the No. 12 "What I Had with You." 1981's With Love accounted for yet another No. 2 in "Miss Emily's Picture."
Conlee has been a member of the Grand Ole Opry since 1981.
Conlee's 1982 album Busted was led off by a cover of the Harlan Howard song of the same name; the album's last single, "Common Man," returned him to the top of the charts in 1983. Three more Number One hits came from In My Eyes: the Kix Brooks co-write "I'm Only in It for the Love," the title track, and "As Long as I'm Rockin' with You." MCA released a Greatest Hits album later in 1983.
Blue Highway in 1984, his last studio album for MCA, produced a No. 2 in "Years After You." A year later, a second Greatest Hits package produced his last MCA single in the No. 5 "Old School" before he moved to Columbia Records. Conlee's first Columbia release, Harmony, gave him his last Number One hit in "Got My Heart Set on You" in 1986. A second and final album for Columbia, American Faces, took him into the Top 10 for the last time with "Domestic Life," followed by his last Top 40 at No. 11, "Mama's Rockin' Chair." From there, Conlee moved to 16th Avenue Records, releasing Fellow Travelers.
Read more about this topic: John Conlee
Famous quotes containing the words musical and/or career:
“There was something refreshingly and wildly musical to my ears in the very name of the white man’s canoe, reminding me of Charlevoix and Canadian Voyageurs. The batteau is a sort of mongrel between the canoe and the boat, a fur-trader’s boat.”
—Henry David Thoreau (1817–1862)
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)