Life
Born in London in 1901, John Collier was the son of John George and Emily Mary Noyes Collier. He had one sister, Kathleen Mars Collier. His father, John George Collier, was one of seventeen children, and could not afford formal education; he worked as a clerk. Nor could John George afford schooling for his son beyond prep school; John Collier and Kathleen were educated at home. He was privately educated by his uncle Vincent Collier, a novelist. Biographer Betty Richardson wrote:
He began reading Hans Christian Andersen fairy tales at three; these began a lifelong interest in myth and legend that was further stimulated when, in his teens, he discovered James Frazer's The Golden Bough (1890-1915). An uncle, Vincent Collier, himself a minor novelist, introduced the boy to 17th and 18th century literature. Collier particularly admired Jonathan Swift, and an 18th-century satirist's view of life became his own. From his first work to his version of Paradise Lost, Collier saw humans, flawed but with potential, everywhere contaminated by narrow creeds, institutions, coteries, vanities, and careers.When, at the age of 18 or 19, Collier was asked by his father what he had chosen as a vocation, his reply was, "I want to be a poet." His father indulged him; over the course of the next ten years Collier lived on an allowance of two pounds a week plus whatever he could pick up by writing book reviews and acting as a cultural correspondent for a Japanese newspaper. During this time, being not overly burdened by any financial responsibilities, he developed a penchant for games of chance, conversation in cafes and visits to picture galleries. He never attended university.
He was married to early silent film actress Shirley Palmer in 1936; they were divorced. His second marriage in 1945 was to New York actress Beth Kay (Margaret Elizabeth Eke). They divorced a decade later. His third wife was Harriet Hess Collier, who survived him; they had one son, John G. S. Collier, born in Nice, France, on May 18, 1958.
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Famous quotes containing the word life:
“O life unlike to ours!
Who fluctuate idly without term or scope,
Of whom each strives, nor knows for what he strives,
And each half lives a hundred different lives;
Who wait like thee, but not, like thee, in hope.”
—Matthew Arnold (1822–1888)
“This death’s livery which walled its bearers from ordinary life was sign that they have sold their wills and bodies to the State: and contracted themselves into a service not the less abject for that its beginning was voluntary.”
—T.E. (Thomas Edward)
“The writing career is not a romantic one. The writer’s life may be colorful, but his work itself is rather drab.”
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