Works
John Brown wrote numerous books, of which the most notable are described here.
Only one dictionary of the Bible, by then long out of print, had preceded Brown's The Dictionary of the Bible. It therefore met a need and after the initial edition published in 1769 numerous editions, variously amended, were issued until 1868. It expressed a Calvinist theology, and in it, the author estimated that 2016 would see the Millenium. Many articles in it are long and appear to be tracts or sermons .
A General History of the Christian Church was issued in two volumes in 1771.
The Self Interpreting Bible was Brown's most significant work, and it remained in print (edited by others), until well into the twentieth century. The objective of providing a commentary for ordinary people was very successful. The idea that the Bible was "self-interpreting" involved copious marginal references, especially comparing one scriptural statement with another. Brown also provided a substantial introduction to the Bible, and added an explication and "reflections" for each chapter.
A measure of its popularity is that it was translated into Welsh, and its appearance in Robert Burns's "Epistle to James Tennant",
My shins, my lane, I sit here roastin'
Perusing Bunyan, Brown and Boston,
Read more about this topic: John Brown (theologian)
Famous quotes containing the word works:
“Men seem anxious to accomplish an orderly retreat through the centuries, earnestly rebuilding the works behind them, as they are battered down by the encroachments of time; but while they loiter, they and their works both fall prey to the arch enemy.”
—Henry David Thoreau (1817–1862)
“I shall not bring an automobile with me. These inventions infest France almost as much as Bloomer cycling costumes, but they make a horrid racket, and are particularly objectionable. So are the Bloomers. Nothing more abominable has ever been invented. Perhaps the automobile tricycles may succeed better, but I abjure all these works of the devil.”
—Henry Brooks Adams (1838–1918)
“Most works of art, like most wines, ought to be consumed in the district of their fabrication.”
—Rebecca West (1892–1983)