Works
"Aylmer, like John Ponet and Stephen Gardiner before him, is an important figure in the story of the reception of classical mixed government in Tudor England." John Aylmer wrote his work An harborowe for faithful and trewe subiectes (1559), to defend the female monarchy of Elizabeth I associating "the rule of boyes and women, or effeminate persons" and on another basis; "that cytie is at pits brinks, wherein magistrate ruleth lawes, and not the lawes the magistrate: What could any kyng in Israell do in that common wealth, besides the pollycie appointed by Moyses?". His effort to familiarize his fellow countrymen with the "strange and alluring vocabulary of politics", introducing them to the classical forms and terminology, must be viewed as secondary to this primary goal.
Aylmer nevertheless described England as not "a mere monarchy, as some for lack of consideration think, nor a mere oligarchy, nor democracy, but a rule mixed of all these." 1 He goes on to say that in the mixed state, "each one of these have or should have like authority." He argued that in the king-in-Parliament, or, in Elizabeth's case, the queen-in-Parliament, was not the "image" of a mixed state "but the thing in deed." It was in Parliament that one found the three estates: "the king or queen, which representeth the monarchy; the noble men which be the aristocracy; and the burgesses and knights the democracy." As he says, "In like manner, if the Parliament use their privileges: the king can ordain nothing without them." Parliamentary restraint of a queen's feminine vices would, according to Aylmer, ameliorate the disadvantages of female monarchy.
His work, particularly his characterisation of England as a mixed monarchy, would be important to later English constitutionalists.
Read more about this topic: John Aylmer (bishop)
Famous quotes containing the word works:
“In doing good, we are generally cold, and languid, and sluggish; and of all things afraid of being too much in the right. But the works of malice and injustice are quite in another style. They are finished with a bold, masterly hand; touched as they are with the spirit of those vehement passions that call forth all our energies, whenever we oppress and persecute..”
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