Johannes Kepler - Works

Works

  • Mysterium cosmographicum (The Sacred Mystery of the Cosmos) (1596)
  • De Fundamentis Astrologiae Certioribus On Firmer Fundaments of Astrology (1601)
  • Astronomiae Pars Optica (The Optical Part of Astronomy) (1604)
  • De Stella nova in pede Serpentarii (On the New Star in Ophiuchus's Foot) (1604)
  • Astronomia nova (New Astronomy) (1609)
  • Tertius Interveniens (Third-party Interventions) (1610)
  • Dissertatio cum Nuncio Sidereo (Conversation with the Starry Messenger) (1610)
  • Dioptrice (1611)
  • De nive sexangula (On the Six-Cornered Snowflake) (1611)
  • De vero Anno, quo aeternus Dei Filius humanam naturam in Utero benedictae Virginis Mariae assumpsit (1613)
  • Eclogae Chronicae (1615, published with Dissertatio cum Nuncio Sidereo)
  • Nova stereometria doliorum vinariorum (New Stereometry of Wine Barrels) (1615)
  • Epitome astronomiae Copernicanae (Epitome of Copernican Astronomy) (published in three parts from 1618–1621)
  • Harmonice Mundi (Harmony of the Worlds) (1619)
  • Mysterium cosmographicum (The Sacred Mystery of the Cosmos) 2nd Edition (1621)
  • Tabulae Rudolphinae (Rudolphine Tables) (1627)
  • Somnium (The Dream) (1634)

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Famous quotes containing the word works:

    The mind, in short, works on the data it receives very much as a sculptor works on his block of stone. In a sense the statue stood there from eternity. But there were a thousand different ones beside it, and the sculptor alone is to thank for having extricated this one from the rest.
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    A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.
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    Only the more uncompromising of the mystics still seek for knowledge in a silent land of absolute intuition, where the intellect finally lays down its conceptual tools, and rests from its pragmatic labors, while its works do not follow it, but are simply forgotten, and are as if they never had been.
    Josiah Royce (1855–1916)