Works
His great work is his Geschichte des deutschen Volkes seit dem Ausgang des Mittelalters (8 vols., Freiburg, 1878–1894). In this book he clearly shows the personal foibles and misguided conclusions of Luther, Zwingli and the other Protestant reformers Reformation, and proves that the Protestants were responsible for the general unrest in Germany during the 16th and 17th centuries. The author's conclusions led to some controversy, and Janssen wrote An meine Kritiker (Freiburg, 1882) and Ein zweites Wort an meine Kritiker (Freiburg, 1883) in reply to the Janssens Geschichte des deutschen Volkes (Munich, 1883) of M. Lenz, and other criticisms.
The Geschichte, which has passed through numerous editions, has been continued and improved by Ludwig Pastor, and the greater part of it has been translated into English by M. A. Mitchell and A. M. Christie (London, 1896, fol.). Of his other works perhaps the most important are: the editing of Frankfurts Reichskorrespondenz, 1376–1519 (Freiburg, 1863–1872); and of the Leben, Briefe und kleinere Schriften of his friend JF Böhmer (Leipzig, 1868); a monograph, Schiller als Historiker (Freiburg, 1863); and Zeit- und Lebensbilder (Freiburg, 1875).
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Famous quotes containing the word works:
“And when discipline is concerned, the parent who has to make it to the end of an eighteen-hour day—who works at a job and then takes on a second shift with the kids every night—is much more likely to adopt the survivor’s motto: “If it works, I’ll use it.” From this perspective, dads who are even slightly less involved and emphasize firm limits or character- building might as well be talking a foreign language. They just don’t get it.”
—Ron Taffel (20th century)
“Your hooves have stamped at the black margin of the wood,
Even where horrible green parrots call and swing.
My works are all stamped down into the sultry mud.”
—William Butler Yeats (1865–1939)
“That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
—Lydia M. Child (1802–1880)